Cradle of Civilization

A Blog about the Birth of Our Civilisation and Development

  • Sjur C Papazian

  • FB: Sjur Papazian

  • Recent Posts

  • Categories

  • Armenian Eternal Symbol

  • Forget-me-not

  • The Fertile Crescent

    The Fertile Crescent is a term for an old fertile area north, east and west of the Arabian Desert in Southwest Asia. The Mesopotamian valley and the Nile valley fall under this term even though the mountain zone around Mesopotamia is the natural zone for the transition in a historical sense.

    As a result of a number of unique geographical factors the Fertile Crescent have an impressive history of early human agricultural activity and culture. Besides the numerous archaeological sites with remains of skeletons and cultural relics the area is known primarily for its excavation sites linked to agricultural origins and development of the Neolithic era.

    It was here, in the forested mountain slopes of the periphery of this area, that agriculture originated in an ecologically restricted environment. The western zone and areas around the upper Euphrates gave growth to the first known Neolithic farming communities with small, round houses , also referred to as Pre Pottery Neolithic A (PPNA) cultures, which dates to just after 10,000 BC and include areas such as Jericho, the world’s oldest city.

    During the subsequent PPNB from 9000 BC these communities developed into larger villages with farming and animal husbandry as the main source of livelihood, with settlement in the two-story, rectangular house. Man now entered in symbiosis with grain and livestock species, with no opportunity to return to hunter – gatherer societies.

    The area west and north of the plains of the Euphrates and Tigris also saw the emergence of early complex societies in the much later Bronze Age (about 4000 BC). There is evidence of written culture and early state formation in this northern steppe area, although the written formation of the states relatively quickly shifted its center of gravity into the Mesopotamian valley and developed there. The area is therefore in very many writers been named “The Cradle of Civilization.”

    The area has experienced a series of upheavals and new formation of states. When Turkey was formed in the aftermath of the genocide against the Pontic Greeks, Armenians and Assyrians perpetrated by the Young Turks during the First World War it is estimated that two-thirds to three-quarters of all Armenians and Assyrians in the region died, and the Pontic Greeks was pushed to Greece.

    Israel was created out of the Ottoman Empire and the conquering of the Palestinian terretories. The existence of large Arab nation states from the Maghreb to the Levant has since represented a potential threat to Israel which should be neutralised when opportunities arise.

    This line of thinking was at the heart of David Ben Gurion’s policies in the 1950s which sought to exacerbate tensions between Christians and Muslims in the Lebanon for the fruits of acquiring regional influence by the dismembering the country and the possible acquisition of additional territory.

    The Christians are now being systematically targeted for genocide in Syria according to Vatican and other sources with contacts on the ground among the besieged Christian community.

    According to reports by the Vatican’s Fides News Agency collected by the Centre for the Study of Interventionism, the US-backed Free Syrian Army rebels and ever more radical spin-off factions are sacking Christian churches, shooting Christians dead in the street, broadcasting ultimatums that all Christians must be cleansed from the rebel-held villages, and even shooting priests.

    It is now time that the genocide against the Pontic Greeks, Assyrians and Armenians is being recognized, that the Israeli occupation, settlements and violence against the Palestinians stop, and that the various minorities in the area start to live their lifes in peace – without violence and threats from majority populations, or from the West, and then specificially from the US.

    War in the Fertile Crescent

    War in the Fertile Crescent



    Everyone is free to use the text on this blog as they want. There is no copyright etc. This because knowledge is more important than rules and regulations.

  • Archives

Painted Pottery

299e005fa39f952ae7af01f412719735 (1)

Balkans

This painting is based on the early pre-Indo-European Neolithic cultures of the Balkans and Turkey, marking the development of early agriculture

The central figure is based on an anthropomorphic pot from Hacilar, similar to many found throughout the region. She is on a scale with the mountains, so she is both mountain and pot. She holds another, smaller pot, into which the dead, in skeleton form, are climbing and where they seem to be having a party (this is the Balkans, and funerals are always occasions for parties).

She is surrounded by artifacts from the region, which populate her world. In the upper right corner is the moon, surrounded by a crescent moon design from a painted pot. The moon is reflected in the pool in front of her, which is fed by a mountain stream, but also milk from her breast.

Clay figurines of horned beasts are drinking from the pool, which is also home to the flock of waterbirds in the upper left. The flock is accompanied by another clay figure of the mother with a bird’s head in a chariot (another vessel).

The clouds and rain gathering at the top of the mountain are also from the design on a painted pot, and cattle and sheep (horned beasts) graze in the background. In the front left corner more clay female figurines bake bread in a model oven found in Bulgaria.

The oven echoes the form of the central figure and is another vessel which produces food for people. The bread in the foreground is used in present-day fertility rituals as observed by Matsen in Koprivshtitsa, Bulgaria. To the right is another modern harvest ritual from Koprivshtitsa, with ancient roots

Old World Geometry and Ancient Symbols

Like written language, symbols carry with them meaning that allows us to communicate with each other. But unlike language, many ancient symbols also contain something more. A deep meaning that lies in the base of our subconscious.

Carl Jung called those symbols Archetypes as archaic images or universal thought-forms that influence the feelings and action of an individual. He proposed that these images, patterns or prototypes for ideas are derived from the universal or collective unconscious.

According to Jung, the collective unconscious is an inherited psyche or reservoir of experience and is common to all members of a specific species. Archetypes can be described as blueprints of our souls. These are primordial images or patterns of behavior that we are born with. The great Greek philosopher, Plato is credited with originating the concept of Archetypes.

Symbols from ancient times can often carry more than 1 meaning. For example, a plus sign + can mean cross such as in religion or it can mean the 4 cardinal directions, north, south, east and west.

The ‘Supreme Ultimate’ diagram of Taoism, the Taijitu of Yin and Yang dates back in China to around a couple of thousands years ago, yet its origins can be found much earleir among the Old European cultures like Cucuteni and Trypillia dating to around 7000 years ago.

Old World Geometry and Ancient Symbols

Painted Pottery Cultures

Because of discoveries of earlier pottery traditions made starting in the 1990s, the time frame for the initial Late Neolithic ceramic period is thought to be roughly 7000-6700 BCE. The earliest pottery of Syria was discovered here; it dates at ca. 6900-6800 BC, and consists of mineral-tempered, and sometimes painted wares.

These earliest pottery traditions may be known in literature as ‘Initial Pottery Neolithic’ in the Balikh River area of Syria and Turkey, for example Tell Sabi Abyad. Or it may be known as ‘Halula I’ in the Syrian Euphrates area; the main site is Tell Halula. Also, it may be known as ‘Rouj 2a’ in Northern Levantine Rouj basin (Idlib, Syria).

By the earliest PN phase pottery was ubiquitous and it remained so for virtually all periods in the southern Levant until modern times. Exceptions were in desert areas where semi-nomads favored less heavy, fragile and bulky arrangements.

Pottery styles, based mostly on form, fabric and decorative elements have been used to help identify chrono-cultural phases. White ware remained in use, but it seems to have remained rare and the vessels were often small and rather delicate.

It is possible that not a few such vessels were found and identified as pottery. The earliest PN phase in the Southern Levant is associated with the site of Sha’ar HaGolan in the Jordan Valley. This pottery is sometimes called “Yarmukian Ware” (6400–6000 BC).

Painted Pottery Cultures the general name accepted in the literature for archaeological cultures of the late Neolithic period and of the Aeneolithic period. The name is based on the characteristic feature of the cultures – painted decorative pottery.

The painted pottery cultures are characterized by the predominance of farming using the hoe, combined with stock raising, fishing, and hunting; the appearance of copper tools at a time when flint prevailed; large, usually pisé, houses; and clay female statuettes.

The oldest settlements with painted pottery existed in Northern Mesopotamia. Painted pottery cultures later appeared in what is now the Ukraine and Moldavia (Tripol’e culture), Rumania, Bulgaria, Greece, Yugoslavia, the Caucasus, Iran (Sialk), Middle Asia (Anau and Namazga-Tepe), India, and China (Yang-shao).

The painted pottery cultures were created by different tribes. The similarities of the cultures were probably determined by the tribes being at the same stage of economic and social development and living under similar geo-graphical conditions.

The site of Tell Sabi Abyad in Syria offers a superb stratified sequence passing from the aceramic (pre-pottery) to pottery-using Neolithic around 7000 BC. Surprisingly the first pottery arrives fully developed with mineral tempering, burnishing and stripey decoration in painted slip.

The expected, more experimental-looking, plant-tempered coarse wares shaped by baskets arrive about 300 years later. Did the first ceramic impetus come from elsewhere?

The pottery of ancient Tell Halaf of Mesopotamia and my ceramics

The amazing similarities between the Cucuteni culture and the Chinese Yangshao culture

Painted Pottery Culture

Painted pottery culture

Painted Pottery Culture: 5000-2500 BCE

Painted Pottery Cultures

Not so coarse, nor always plain – the earliest pottery of Syria

A DNA Genealogy Solution to the Puzzle of Ancient Look-Alike Ceramics across the World

7,000 year old origins of ‘The Supreme Ultimate’

LaoziTaoism, TaijituTaegeukTaiji (philosophy)Wuji (philosophy)

MapHalaf01

Mesopotamian_Prehistorical_cultures

Civilizatia-a-inceput-la-poalele-Carpatilor-1024x803

unnamed

screenhunter_07-jan-03-10-21

e6cfd1de7f3b2c5af8c642b774d3e0f9

screenhunter_22-jan-03-10-35-copy

swastica plate

screenhunter_4776-apr-24-13-36

screenhunter_4787-apr-24-16-11

 Hassuna, Halaf, Samarra – Northern Mesopotamia, 7000-6000 BC

Trypillia02600tit

trypillian03600tit

4977527544_d1d5e3be7f_z

The_Cucuteni_9

Cucuteni-yangshao-4-620x2702

Cucuteni-yangshao-5-800x329

Cucuteni-yangshao-1-620x4111

Cucuteni-yangshao-3-620x290

Cucuteni-China-620x261

Cucuteni-Trypillian

2010-shanghai-world-expo-ukraine-pavilion

2010-shanghai-expo-ukraine-pavilion-14787009

Ukraine Pavilion of Expo 2010

696px-Neolithic_china.svg

yangshao_culture_vases1318632717752

conroy1

ch927ts

Chinese_Pottery_GSC_1434w

10402

Painted pot (hu), Majiayao Culture (formerly attributed to Yangshao Culture), Banshan Phase, 2650-2350 BC (pottery)

8073979348_797f045e13_h

Painted Pottery China:

Yangshao/ Majiayao/ Machang/ Banshan culture

559px-Ornamental_Bronze_Plaque,_Celtic_Horse-gear,_Santon,_Norfolk_(Detail)

Ornamental Bronze Plaque, Celtic Horse-gear, Santon, Norfolk

564px-Celtic_Bronze_Disc,_Longban_Island,_Derry_(Detail_01)

Celtic Bronze Disc, Longban Island, Derry

500px-Mauri_Osismiaci_shield_pattern.svg

Shield pattern of the Roman Mauri Osismiaci (ca. AD 430), with the dots in each part kept in the same shade of color

Notitia_Dignitatum_-_Magister_Peditum_4

Coat of arms of the Roman armigeri defensores seniores (4th row, third from left), dated to ca. AD 430

Taijitu_Lai_Zhide

Ancient form of the Taijitu, as used by Lai Zhide

800px-Flag_of_South_Korea.svg

Korean flag

Sam_Taeguk