Cradle of Civilization

A Blog about the Birth of Our Civilisation and Development

Archive for February 5th, 2017

Pluto and Dis Pater

Posted by Fredsvenn on February 5, 2017

The holy trinity

Pluto is also associated with Tuesday, alongside Mars

Uranus is also associated with Wednesday, alongside Mercury

Neptune also represents the day of Friday, alongside Venus

In Greek cosmogony, the god received the rule of the underworld in a three-way division of sovereignty over the world with Zeus ruling the Sky, Poseidon the Sea, and Pluto the Underworld

Neptune was the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon. In the Greek-influenced tradition, Neptune was the brother of Jupiter and Pluto; the brothers presided over the realms of Heaven, the earthly world, and the Underworld.

The astrological sign of the planet Mercury, ☿, represents Wednesday—Dies Mercurii to the Romans, it had similar names in Latin-derived languages, such as the Italian mercoledì (dì means “day”), the French mercredi, and the Spanish miércoles. In English, this became “Woden’s Day”, since the Roman god Mercury was identified by Woden in Northern Europe and it is especially aligned by the astrological signs of Gemini and Virgo. Wednesday is one of the 3 only days aside from Neptune and Pluto to be associated by another planet, which is Uranus.

Orphic and philosophical systems

Pluto was the ruler of the underworld in classical mythology. The earlier name for the god was Hades, which became more common as the name of the underworld itself. In ancient Greek religion and mythology, Pluto represents a more positive concept of the god who presides over the afterlife. Ploutōn was frequently conflated with Ploutos (Plutus), a god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest.

The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as a stern ruler but the loving husband of Persephone. The couple received souls in the afterlife, and are invoked together in religious inscriptions. Hades by contrast had few temples and religious practices associated with him, and is portrayed as the dark and violent abductor of Persephone.

Pluto and Hades differ in character, but they are not distinct figures and share their two major myths. In Greek cosmogony, the god received the rule of the underworld in a three-way division of sovereignty over the world, with his brothers Zeus ruling the Sky and Poseidon the Sea. His central narrative is the abduction of Persephone to be his wife and the queen of his realm.

Plouton as the name of the ruler of the underworld first appears in Greek literature of the Classical period, in the works of the Athenian playwrights and of the philosopher Plato, who is the major Greek source on its significance. Under the name Pluto, the god appears in other myths in a secondary role, mostly as the possessor of a quest-object, and especially in the descent of Orpheus or other heroes to the underworld.

Plūtō is the Latinized form of the Greek Plouton. Pluto’s Roman equivalent is Dis Pater, whose name is most often taken to mean “Rich Father” and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure Roman Orcus, like Hades the name of both a god of the underworld and the underworld as a place. The borrowed Greek name Pluto is sometimes used for the ruler of the dead in Latin literature, leading some mythology handbooks to assert misleadingly that Pluto was the Roman counterpart of Hades.

Posted in Uncategorized | Leave a Comment »

The two opposites

Posted by Fredsvenn on February 5, 2017

Bilderesultat for the supreme ultimate

Bilderesultat for zodiac

Bilderesultat for ying yang

Bilderesultat for the supreme ultimate

Bilderesultat for the supreme ultimate

Bilderesultat for the supreme ultimate

Day – Night 

Summer – Winter

Sky – Underworld 

World of the – Underworld

An equinox is an astronomical event in which the plane of Earth’s equator passes through the center of the Sun, which occurs twice each year, around 20 March and 23 September. The equinoxes are the only times when the solar terminator (the “edge” between night and day) is perpendicular to the equator. As a result, the northern and southern hemispheres are equally illuminated. The word comes from Latin equi or “equal” and nox meaning “night”.

The equinoxes, along with solstices, are directly related to the seasons of the year. In the northern hemisphere, the vernal equinox (March) conventionally marks the beginning of spring in most cultures, while the autumnal equinox (September) marks the beginning of autumn. In the southern hemisphere, the vernal equinox occurs in September and the autumnal equinox in March.

The ecliptic is the apparent path of the Sun on the celestial sphere, and is the basis for the ecliptic coordinate system. It also refers to the plane of this path, which is coplanar with the orbit of Earth around the Sun (and hence the apparent orbit of the Sun around Earth). The path of the Sun is not normally noticeable from Earth’s surface because Earth rotates, carrying the observer through the cycles of sunrise and sunset, obscuring the apparent motion of the Sun with respect to the stars.

An – Ecliptic – The Sun – The sky god

Anu (in Akkadian; Sumerian: An, from 𒀭An “sky, heaven”) is the earliest attested Sky Father deity. In Sumerian religion, he was also “King of the Gods”, “Lord of the Constellations, Spirits and Demons”, and “Supreme Ruler of the Kingdom of Heaven”, where Anu himself wandered the highest Heavenly Regions. He was believed to have the power to judge those who had committed crimes, and to have created the stars as soldiers to destroy the wicked. His attribute was the Royal Tiara.

Enlil  (Cancer) – Moon – North – Winter – Sky

Enki (Capricorn) – Saturn – South – Summer – Underworld

In the astral theology of Babylonia and Assyria, Anu, Enlil, and Ea became the three zones of the ecliptic, the northern, middle and southern zone respectively.

Inanna – Ereshkigal

Inanna and Ereshkigal represent polar opposites. Inanna is the Queen of Heaven, but Ereshkigal is the queen of Irkalla.

Masculine – Feminine

The cosmogenic myth common in Sumer was that of the hieros gamos, a sacred marriage where divine principles in the form of dualistic opposites came together as male and female to give birth to the cosmos.


Posted in Uncategorized | Leave a Comment »

The sign: X, Taw and Tiwas

Posted by Fredsvenn on February 5, 2017

Bilderesultat for omega

Gud sier han er alfa (a) og omega, som kan sammenlignes med bokstaven tau (t) da omega er den siste bokstaven i det greske alfabetet, mens tau er den siste bokstaven blant de semittiske abjader.

Hengt Tyr, som ga seg selv til kollektivet gjennom å ofre seg selv for å få bukt med Fenrisulven, og den korsfestede Jesus er den samme.

Navnet Tyr, som ga opphav til navnet på dagen tirsdag, stammer fra Hovedguden Dyeus i den protoindoeuropeiske mytologien. Dyeus ga også opphav til det latiske ordet for gud, Deus.

Tyr symboliserer stjernetegnet Vekten, som er forbundet med rettferdighet. Bokstaven omega og symbolet for Vekten er den samme. Det er planeten Venus.

Vekten er høstjevndøgnet, mens vårjevndøgnet er Væren, på latinsk Aries, som symboliseres med Guden Mars. Mars er sammen med gudinnen Venus.

Året startet før vi flyttet datoen til desember tidligere i mars. Tyr blir ansett for å være den germanske ekvivalenten av Mars.

Omega (stor bokstav Ω, og liten bokstav ω) er den 24. og siste bokstaven i det greske alfabetet.

Ordets betydning er den store O, der mega på gresk har betydningen stor. Dette skiller bokstaven fra det greske alfabetets andre o, omikron, den lille O, der mikro har betydningen liten.

Tau (Τ, τ) er den nittende bokstaven i det greske alfabetet, men den toogtyvende og siste bokstav blant de semittiske abjader. Den ble brukt som symbol for korsfestelsen som et symbol for livet og oppstandelsen.

Tyr, the hanged god

Jesus, the crusified god

God proclaimed Himself as “the Alpha and the Omega”

“I am the Alaph and the Taw” (Aramaic)

Dyeus – Tyr / Deus

Relatert bilde

Bilderesultat for dingir

Dingir (Sumerian) – An

The so-called “Chrismon of Saint Ambrose” (Chrismon Sancti Ambrosii), on display on the eastern wall of Milan Cathedral, a Chi-Rho combined with Alpha and Omega in a circle. According to Landulf of Milan (12th century), it was used by Saint Ambrose to introduce the catechumens to the mysteries of the Christian faith (whence it was called “oracle” or chresmos of St. Ambrose, written by Landulf as crismon, whence the later New Latin term for the Chi-Rho symbol).

File:Chi Rho.svg

In Plato’s Timaeus, it is explained that the two bands that form the soul of the world cross each other like the letter Χ. Plato’s analogy, along with several other examples of chi as a symbol occur in Thomas Browne’s discourse The Garden of Cyrus (1658). Chi or X is often used to abbreviate the name Christ, as in the holiday Christmas (Xmas). When fused within a single typespace with the Greek letter Rho, it is called the labarum and used to represent the person of Jesus Christ.

The Chi Rho (also known as chrismon) is one of the earliest forms of christogram, and is used by some Christians. It is formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek word ΧΡΙΣΤΟΣ “Christ” in such a way that the vertical stroke of the rho intersects the center of the chi. The Chi-Rho thus symbolises specifically the status of Jesus as the risen Christ (Messiah).

An early visual representation of the connection between the Crucifixion of Jesus and his triumphal resurrection, seen in the 4th century sarcophagus of Domitilla in Rome, the use of a wreath around the Chi-Rho symbolizes the victory of the Resurrection over death.

The Chi-Rho is also known as the labarum, which is based on the Latin word laureum, “military standard.” The Chi-Rho symbol was used by the Roman emperor Constantine I (r. 306–337) as part of a military standard (vexillum).

According to Lactantius, a Latin historian of North African origins saved from poverty by the Emperor Constantine I, who made him tutor to his son Crispus, Constantine had dreamt of being ordered to put a “heavenly divine symbol” on the shields of his soldiers. The description of the actual symbol chosen by Emperor Constantine the next morning, as reported by Lactantius, is not very clear: it closely resembles a Chi-Rho or a staurogram, a similar Christian symbol. That very day Constantine’s army fought the forces of Maxentius and won the Battle of the Milvian Bridge (312), outside Rome.

Relatert bilde

Bilderesultat for libra sign

Libra – Justice


The Ancient picture is a type of “mark,” probably of two sticks crossed to mark a place, similar to the Egyptian hieroglyph , a picture of two crossed sticks. This letter has the meanings of “mark,” “sign” and “signature.” Taw is believed to be derived from the Egyptian hieroglyph meaning “mark”.

Taw, tav, or taf is the twenty-second and last letter of the Semitic abjads. Its original sound value is /t/. The Phoenician letter gave rise to the Greek tau (Τ), Latin T, and Cyrillic Т. In ancient times, tau was used as a symbol for life or resurrection, whereas the eighth letter of the Greek alphabet, theta, was considered the symbol of death.

God proclaimed Himself as “the Alpha and the Omega” (Revelation1:8,21:6,22:13) which is the first and last letters in the Greek alphabet. Jesus spoke Aramaic. The first and last letters of the Aramaic and Hebrew language. “I am the Alaph and the Taw” (Aramaic) or “I am the Aleph and the Tav” (Hebrew).

The tau was also considered a symbol of salvation due to the identification of the tau with the sign which in Ezekiel 9:4 was marked on the forehead of the saved ones, or due to the tau-shaped outstretched hands of Moses in Exodus 17:11: “And it came to pass, when Moses held up his hand, that Israel prevailed: and when he let down his hand, Amalek prevailed.”

In Biblical times, the taw was put on men to distinguish those who lamented sin, although newer versions of the Bible have replaced the ancient term taw with mark (Ezekiel 9:4) or signature (Job 31:35).

The symbolism of the cross was connected not only to the letter chi but also to tau, the equivalent of the last letter in the Phoenician and Old Hebrew alphabets, and which was originally cruciform in shape.

The Tau Cross is a form of the Christian cross symbol, named after the Greek letter it resembles. It is also variously St. Anthony’s Cross, Old Testament Cross, Anticipatory Cross, Cross Commissee, Egyptian Cross, Advent Cross, Croce taumata, Saint Francis’s Cross, Crux Commissa. The shape of the letter tau or T was interpreted as representing a crucifix from antiquity.

The ancient pictorial lettering of the Alaph/Aleph is a picture of a head of an ox and symbolizes “God, first, strong, power and leader.” The Taw/Tav is a picture of two crossed sticks and symbolizes “a covenant, monument mark and a sign.” “From aleph to taf” describes something from beginning to end, the Hebrew equivalent of the English “From A to Z.”

The Alaph/Aleph ox head is like the animal sacrificial system under the Old Covenant. The Taw/Tav crossed sticks is like a symbol of the crucifixion under the New Covenant. Put together, it represents God as the First Leader with strong power and the sign of New Covenant of Jesus’ sacrifice on the cross.

According to the Poetic Edda and Prose Edda, at one stage the gods decided to shackle the Fenris wolf (Fenrir), but the beast broke every chain they put upon him. Eventually they had the dwarves make them a magical ribbon called Gleipnir. It appeared to be only a silken ribbon. Fenrir sensed the gods’ deceit and refused to be bound with it unless one of them put his hand in the wolf’s mouth.

Týr, known for his great wisdom and courage, agreed, and the other gods bound the wolf. After Fenrir had been bound by the gods, he struggled to try to break the rope. Fenrir could not break the ribbon and, enraged, bit Týr’s right hand off. When the gods saw that Fenrir was bound they all rejoiced, except Týr.

Fenrir would remain bound until the day of Ragnarök. As a result of this deed, Týr is called the “Leavings of the Wolf”; which is to be understood as a poetic kenning for glory. As a consequence, however, his name is also associated with perjury. According to the Prose version of Ragnarök, Týr is destined to kill and be killed by Garm, the guard dog of Hel. However, in the two poetic versions of Ragnarök, he goes unmentioned; unless one believes that he is the “Mighty One”.

Sigrdrífumál teaches runemagic and advises one to twice name Týr and carve “victory runes” on the sword hilt, presumably referring to the t rune. If a warrior carved the rune Tîwaz on his weapon he would be dedicating it to Týr and strengthen the outcome of a battle to be in his favor. The reconstructed Proto-Germanic name is *Tîwaz or *Teiwaz.

Tiw was equated with Mars in the interpretatio germanica. Tuesday is in fact “Tīw’s Day” (also in Alemannic Zischtig from zîes tag), translating dies Martis. The t-rune ᛏ is named after Týr, and was identified with this god. Týr in origin was a generic noun meaning “god”, e.g. Hangatyr, literally, the “god of the hanged”, as one of Odin’s names, which was probably inherited from Týr in his role as god of justice.

During the battle at Ragnarök, Fenrir swallows Odin whole. In Norse mythology, Víðarr (Old Norse, possibly “wide ruler”) is a god among the Æsir associated with vengeance. Víðarr is described as the son of Odin and the jötunn Gríðr, and is foretold to avenge his father’s death by killing the wolf Fenrir at Ragnarök, a conflict which he is described as surviving.

The mid-11th century Gosforth Cross, located in Cumbria, England, has been described as depicting a combination of scenes from the Christian Judgement Day and the pagan Ragnarök. The cross features various figures depicted in Borre style, including a man with a spear facing a monstrous head, one of whose feet is thrust into the beast’s forked tongue and on its lower jaw, while a hand is placed against its upper jaw, a scene interpreted as Víðarr fighting Fenrir. The depiction has also been theorized as a metaphor for Jesus’s defeat of Satan.

Georges Dumézil theorized that Víðarr represents a cosmic figure from an archetype derived from the Proto-Indo-Europeans. Dumézil stated that he was aligned with both vertical space, due to his placement of his foot on the wolf’s lower jaw and his hand on the wolf’s upper jaw, and horizontal space, due to his wide step and strong shoe, and that, by killing the wolf, Víðarr keeps the wolf from destroying the cosmos, and the cosmos can thereafter be restored after the destruction resulting from Ragnarök.

Posted in Uncategorized | Leave a Comment »

%d bloggers like this: