Nergal (Tyr) and Ninurta (Thor)
Posted by Fredsvenn on January 24, 2017
Ninurta: Heracles / Thor (Chaoskampf and Sacred Mariage)
Nergal: Mars / Tyr – Great father / Pater
Nergal: Apollo / Helios – The sun / Mars – Aries
March (month), Aries (sign), Nerio (consort), Venus (lover)
Ninurta or Ninib (Thor) – Aries – Aquarius
GU.LA ṣinundu/ku-ur-ku/rammanu “The Great One” (Aquarius)
Nintinugga was a Babylonian goddess of healing, the consort of Ninurta. She is identical with the goddess of Akkadian mythology, known as Bau or Baba, though it would seem that the two were originally independent. The name Bau is more common in the oldest period and gives way to Gula after the First Babylonian Dynasty. Since it is probable that Ninurta has absorbed the cults of minor sun-deities, the two names may represent consorts of different gods. However this may be, the qualities of both are alike, and the two occur as synonymous designations of Ninurta’s female consort.
Tyr: Nerthus (consort), Hel (lover)
Ninurta became the Sun-god of the morning and spring time
The Greeks celebrated the 25 December as the birthday of Apollo, the great sun god, and it was also the day upon which were celebrated, by their respective worshippers, the births of Adonis and of Mithras. That day was the birthday of Hercules, the son of their supreme god, Zeus, through the mortal woman Alcmene. Bacchus, the god of wine and revelry among the Romans, known among the Greeks as Dionysos, was born on this day. The 25 December was so highly regarded as a day suitable for the birthday of a god that it was selected for the apotheosis of Alexander the Great when he was first acclaimed as God in the temple of Amon (Jupiter) in 322 BC.
“The Christian religion is a parody on the worship of the Sun,
in which they put a man whom they call Christ, in the place of the Sun,
and pay him the same adoration which was originally paid to the Sun.”
– Thomas Paine
The breakdown of the Gospels into twelve zodiacal motifs is not a coincidence. It was the way myths were written in biblical days. To make my point, there is a popular myth called “The Twelve Labors of Hercules”. It serves to show how these ancient stories were patterned after the astrological patterns of the stars. Watch how the sun, personified as Hercules, goes through each of his twelve labors.
If Jesus was an historical character, he was one of a number of cultists who at that time were preaching Armageddon. The spin meisters who wrote the Gospels had no information on him except what grew to legendary proportions after several decades of oral story telling. The man, if he existed, was a nobody. It’s what was written about him, combined with the brutal efforts of Church fabricators that made him so famous.
Fortunately, centuries of Christian book burning cannot erase the stars. By looking at the Gospels through the eyes of an astrologer, we can understand why the Gospels follow the same story outline. The tale of Jesus takes place within one Zodiac year. By breaking down the Gospels according to each of the twelve Zodiac constellations, we can track Jesus along the sun’s ecliptic through references to each motif that the constellations correspond to.
Astrological timetables are enumerated into twelve ages based on a great cycle spanning almost 26,000 years. The age of Pisces began around 6 BCE, which is why the latter parts of the Gospels refer often to fish. Approximately in 2012 we enter the Age of Aquarius. Christians have been waiting for Jesus immediate return for 2,000 years. Luke gives hope that he might return in the Age of Aquarius.
I’ve used Matthew as the primary Gospel because it is the most complete. The other two synoptic gospels, Mark and Luke, are variations of Matthew. The Book of John has a twist that deserves separate treatment.
Nergal the Sun-god of the noon and the summer solstice (Leo)
The northern solstice passed from Leo into Cancer in year −1458, passed into Gemini in year −10, passed into Taurus in December 1989, and is expected to pass into Aries in year 4609.
The southern solstice passed from Capricornus into Sagittarius in year −130, is expected to pass into Ophiuchus in year 2269, and is expected to pass into Scorpius in year 3597.
Tammuz: Dionysus / Bacchus
Balder: Frigg / Freyja (consort), Nanna (lover)
Vanir (spring triangle) – Æsir (summer triangle)
Thursday is in most Romance languages named after the Roman god Jupiter, who was the god of sky and thunder. Since the Roman god Jupiter was identified with Thunor (Norse Thor in northern Europe), most Germanic languages name the day after this god.
Tuesday is derived from Old English Tiwesdæg and Middle English Tewesday, meaning “Tīw’s Day”, the day of Tiw or Týr, the god of single combat, victory and heroic glory in Norse mythology. Tiw was equated with Mars in the interpretatio germanica, and the name of the day is a translation of Latin dies Martis.
Rooted in the related but distinct Indo-European word *deiwos is the Latin word for deity, deus. The Latin word is also continued in English divine, “deity”, and the original Germanic word remains visible in “Tuesday” (“Day of Tīwaz”) and Old Norse tívar, which may be continued in the toponym Tiveden (“Wood of the Gods”, or of Týr).
Although some of the more iconic reflexes of Dyeus are storm deities, such as Zeus and Jupiter, this is thought to be a late development exclusive to mediterranean traditions, probably derived from syncretism with canaanite deities and Perkwunos. Even in Roman tradition, Jupiter often is only associated with diurnal lightning at most, while Summanus is a deity responsible for nocturnal lightning or storms as a whole.
The deity’s original domain was over the daylit sky, and indeed reflexes emphasise this connection to light: Istanu (Tiyaz) is a solar deity, Helios is often referred to as the “eye of Zeus”, in Romanian paganism the Sun is similarly called “God’s eye” and in Indo-Iranian tradition Surya/Hvare-khshaeta is similarly associated with Ahura Mazda.
Istanu (Ištanu; from Hattic Estan, “Sun-god”) was the Hittite and Hattic god of the sun. In Luwian he was known as Tiwaz or Tijaz. He was a god of judgement, and was depicted bearing a winged sun on his crown or head-dress, and a crooked staff.
In Mesopotamian religion (Sumerian, Assyrian, Akkadian and Babylonian), Tiamat is a primordial goddess of the ocean, mating with Abzû (the god of fresh water) to produce younger gods. She is the symbol of the chaos of primordial creation. Depicted as a woman, she represents the beauty of the feminine, depicted as the glistening one.
Tiamat was the “shining” personification of salt water who roared and smote in the chaos of original creation. She and Apsu filled the cosmic abyss with the primeval waters. She is “Ummu-Hubur who formed all things”.
The Babylonian epic Enuma Elish is named for its incipit: “When above” the heavens did not yet exist nor the earth below, Apsu the freshwater ocean was there, “the first, the begetter”, and Tiamat, the saltwater sea, “she who bore them all”; they were “mixing their waters”.
It is thought that female deities are older than male ones in Mesopotamia and Tiamat may have begun as part of the cult of Nammu, a female principle of a watery creative force, with equally strong connections to the underworld, which predates the appearance of Ea-Enki.
It is suggested that there are two parts to the Tiamat mythos, the first in which Tiamat is a creator goddess, through a “Sacred marriage” between salt and fresh water, peacefully creating the cosmos through successive generations. In the second “Chaoskampf” Tiamat is considered the monstrous embodiment of primordial chaos. Some sources identify her with images of a sea serpent or dragon.
Tiamat possessed the Tablet of Destinies and in the primordial battle she gave them to Kingu, the deity she had chosen as her lover and the leader of her host, and who was also one of her children. The deities gathered in terror, but Anu, (replaced later, first by Enlil and, in the late version that has survived after the First Dynasty of Babylon, by Marduk, the son of Ea), first extracting a promise that he would be revered as “king of the gods”, overcame her, armed with the arrows of the winds, a net, a club, and an invincible spear.
In the Enûma Elish, the Babylonian epic of creation, she gives birth to the first generation of deities; her husband, Apsu, correctly assuming they are planning to kill him and usurp his throne, later makes war upon them and is killed.
Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth. In the later Babylonian epic Enûma Eliš, Abzu, the “begetter of the gods”, is inert and sleepy but finds his peace disturbed by the younger gods, so sets out to destroy them.
His grandson Enki, chosen to represent the younger gods, puts a spell on Abzu “casting him into a deep sleep”, thereby confining him deep underground. Enki subsequently sets up his home “in the depths of the Abzu.” Enki thus takes on all of the functions of the Abzu, including his fertilising powers as lord of the waters and lord of semen.
Enraged, Tiamat, too, wars upon her husband’s murderers, taking on the form of a massive sea dragon, she is then slain by Enki’s son, the storm-god Marduk, but not before she had brought forth the monsters of the Mesopotamian pantheon, including the first dragons, whose bodies she filled with “poison instead of blood”. Marduk then forms heavens and the earth from her divided body.
Slicing Tiamat in half, he made from her ribs the vault of heaven and earth. Her weeping eyes became the source of the Tigris and the Euphrates, her tail became the Milky Way. With the approval of the elder deities, he took from Kingu the Tablet of Destinies, installing himself as the head of the Babylonian pantheon. Kingu was captured and later was slain: his red blood mixed with the red clay of the Earth would make the body of humankind, created to act as the servant of the younger Igigi deities.
Ninurta slays each of the monsters later known as the “Slain Heroes”. Eventually, Anzû is killed by Ninurta who delivers the Tablet of Destiny to his father, Enlil. There are many parallels with both and the story of Marduk (son of Enki) who slew Tiamat and delivered the Tablets of Destiny from Kingu to his father, Enki.
According to the 1911 edition of the Encyclopædia Britannica the Shamash cults at Sippar and Larsa so overshadowed local Sun-deities elsewhere as to lead to an absorption of the minor deities by the predominating one, in the systematized pantheon these minor Sun-gods become attendants that do his service.
Such are Bunene, spoken of as his chariot driver and whose consort is Atgi-makh, Kettu (“justice”) and Mesharu (“right”), who were then introduced as attendants of Shamash. Other Sun-deities such as Ninurta and Nergal, the patron deities of other important centers, retained their independent existences as certain phases of the Sun, with Ninurta becoming the Sun-god of the morning and spring time and Nergal the Sun-god of the noon and the summer solstice. In the wake of such syncretism Shamash was usually viewed as the Sun-god in general.
Both in early and in late inscriptions Shamash is designated as the “offspring of Nannar”; i.e. of the Moon-god, and since, in an enumeration of the pantheon, Sin generally takes precedence of Shamash. It is in relationship, presumably, to the Moon-god that the Sun-god appears as the dependent power. Such a supposition would accord with the prominence acquired by the Moon in the calendar and in astrological calculations.
In the late neo-Babylonian and early Persian period, syncretism seems to have fused Ninurta’s character with that of Nergal. The two gods were often invoked together, and spoken of as if they were one divinity. In Assyro-Babylonian ecclesiastical art the great lion-headed colossi serving as guardians to the temples and palaces seem to symbolise Nergal, just as the bull-headed colossi probably typify Ninurta.
Nergal seems to be in part a solar deity, sometimes identified with Shamash, but only representative of a certain phase of the sun. Portrayed in hymns and myths as a god of war and pestilence, Nergal seems to represent the sun of noontime and of the summer solstice that brings destruction, high summer being the dead season in the Mesopotamian annual cycle. He has also been called “the king of sunset”. Over time Nergal developed from a war god to a god of the underworld. In the mythology, this occurred when Enlil and Ninlil gave him the underworld.
In the late Babylonian astral-theological system Nergal is related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars)—hence the current name of the planet.
In Babylonian astronomy, the stars Castor and Pollux were known as the Great Twins (MUL.MASH.TAB.BA.GAL.GAL). The Twins were regarded as minor gods and were called Meshlamtaea and Lugalirra, meaning respectively ‘The One who has arisen from the Underworld’ and the ‘Mighty King’. Both names can be understood as titles of Nergal, the major Babylonian god of plague and pestilence, who was king of the Underworld.
Nergal’s chief temple at Cuthah bore the name Meslam, from which the god receives the designation of Meslamtaeda or Meslamtaea, “the one that rises up from Meslam”. The name Meslamtaea indeed is found as early as the list of gods from Fara while the name Nergal only begins to appear in the Akkadian period.
Amongst the Hurrians and later Hittites Nergal was known as Aplu, a name derived from the Akkadian Apal Enlil, (Apal being the construct state of Aplu) meaning “the son of Enlil”. Aplu may be related with Apaliunas who is considered to be the Hittite reflex of *Apeljōn, an early form of the name Apollo.
When Enlil rose to equal or surpass An in authority, the functions of the two deities came to some extent to overlap. An was also sometimes equated with Amurru, and, in Seleucid Uruk, with Enmešara and Dumuzi.
Enmesarra, or Enmešarra, in Sumerian and Akkadian mythology is an underworld god of the law. Described as a Sun god, protector of flocks and vegetation, and therefore he has been equated with Nergal. On the other hand, he has been described as an ancestor of Enlil, and it has been claimed that Enlil slew him.
The path of the Moon as given in MUL.APIN consists of 17 or 18 stations, recognizable as the direct predecessor of the twelve-sign zodiac. Note that the beginning of the list with MUL.MUL “Pleiades” corresponds to the situation in the Early to Middle Bronze Age when the Sun at vernal equinox was close to the Pleiades in Taurus (closest in the 23rd century BC), and not yet in Aries.
The “Tail” and the “Swallow” have also been read as a single constellation the “Tail of the Swallow” (Pisces), whence the uncertainty whether the “zodiac” consists of 17 or 18 constellations.
All constellations of the Iron Age twelve-sign zodiac are present among them, most of them with names that clearly identify them, while some (“Furrow” for Virgo, Pabilsag for Sagittarius, “Great One” for Aquarius, “Swallow Tail” for Pisces and “Agrarian Worker” for Aries) reached Greek astronomy with altered names.
For Virgo, and for her main star Spica, Babylonian precedents are present. The MUL.APIN associates Absin “The Furrow” with the Sumer goddess Shala, and Shala is conventionally depicted as holding a length of grain on boundary stones of the Kassite era. Regarding Sagittarius, Pabilsag is a comparatively obscure Sumerian god, later identified with Ninurta. Another name for the constellation was Nebu “The Soldier”.
Aquarius “The Water-Pourer” represents Ea himself, dubbed “The Great One” in the MUL.APIN. It contained the winter solstice in the Early Bronze Age. In the Greek tradition, he became represented as simply a single vase from which a stream poured down to Piscis Austrinus. The name in the Hindu zodiac is likewise kumbha “water-pitcher”, showing that the zodiac reached India via Greek intermediaries.
The current definition of Pisces is the youngest of the zodiacal constellations. The “Swallow” of Babylonian astronomy included the western fish, but was larger as it included as well parts of Pegasus. The square of Pegasus was the constellation of the “field” (shown in the Dendera zodiac between the two fishes). The northern fish and part of Andromeda was the goddess Anunitum. Late Babylonian sources mention also DU.NU.NU “The Fish-Cord”. It is unclear how the “Agrarian Worker” of the MUL.APIN became Aries “The Ram” of Greek tradition, possibly via association with Dumuzi the Shepherd.
Somewhere around the fifth century B.C., Babylonian astronomical texts began to describe the positions of the Sun, Moon, and planets in terms of 12 equal signs, each one associated with a zodiacal constellation and divided into 30 degrees (uš). This normalized zodiac is fixed to the stars and totals 360°.