The first step towards liberation
Posted by Fredsvenn on December 8, 2016
You can say we are puppets, but I belive that we are puppets with perception, with awarness, and sometime we can see the strings and perhaps our awarness is the first step of our liberation.
Consciousness is the state or quality of awareness, or, of being aware of an external object or something within oneself. It has been defined as: sentience, awareness, subjectivity, the ability to experience or to feel, wakefulness, having a sense of selfhood, and the executive control system of the mind. Despite the difficulty in definition, many philosophers believe that there is a broadly shared underlying intuition about what consciousness is.
As Max Velmans and Susan Schneider wrote in The Blackwell Companion to Consciousness: “Anything that we are aware of at a given moment forms part of our consciousness, making conscious experience at once the most familiar and most mysterious aspect of our lives.”
Liberty, in philosophy, involves free will as contrasted with determinism. In politics, liberty consists of the social and political freedoms to which all community members are entitled. In theology, liberty is freedom from the effects of “sin, spiritual servitude, [or] worldly ties.”
Generally, liberty is distinctly differentiated from freedom in that freedom is primarily, if not exclusively, the ability to do as one wills and what one has the power to do; whereas liberty concerns the absence of arbitrary restraints and takes into account the rights of all involved. As such, the exercise of liberty is subject to capability and limited by the rights of others.
One of the most important goddesses of reconstructed Proto-Indo-European religion is the personification of dawn as a beautiful young woman. Her name is reconstructed as Hausōs (PIE *hewsṓs- or *h₂ausōs-, an s-stem), besides numerous epithets.
Derivatives of *h₂ewsṓs in the historical mythologies of Indo-European peoples include Indian Uṣas, Greek Ēōs, Latin Aurōra, and Baltic Aušra (“dawn”, c.f. Lithuanian Aušrinė). Germanic *Austrōn- is from an extended stem *hews-tro-.
The name *h₂ewsṓs is derived from a root *hwes / *au̯es “to shine”, thus translating to “the shining one”. Both the English word east and the Latin auster “south” are from a root cognate adjective *aws-t(e)ro-. Also cognate is aurum “gold”, from *awso-.
Besides the name most amenable to reconstruction, *h₂ewsṓs, a number of epithets of the dawn goddess may be reconstructed with some certainty. Among these is *wenos- (also an s-stem), whence Sanskrit vanas “loveliness; desire”, used of Uṣas in the Rigveda, and the Latin name Venus and the Norse Vanir. The name indicates that the goddess was imagined as a beautiful nubile woman, who also had aspects of a love goddess.
The love goddess aspect was separated from the personification of dawn in a number of traditions, including Roman Venus vs. Aurora, and Greek Aphrodite vs. Eos. The name of Aphrodite may still preserve her role as a dawn goddess, etymologized as “she who shines from the foam [ocean]” (from aphros “foam” and deato “to shine”).
J.P. Mallory and Douglas Q. Adams (1997) have also proposed an etymology based on the connection with the Indo-European dawn goddess, from *abhor- “very” and *dhei “to shine”. Other epithets include Ἠριγόνη Erigone “early-born” in Greek. The Italic goddess Mater Matuta “Mother Morning” has been connected to Aurora by Roman authors (Lucretius, Priscianus). Her festival, the Matralia, fell on 11 June, beginning at dawn.
The name for “spring season”, *wes-r- is also from the same root. The dawn goddess was also the goddess of spring, involved in the mythology of the Indo-European new year, where the dawn goddess is liberated from imprisonment by a god (reflected in the Rigveda as Indra, in Greek mythology as Dionysus and Cronus).
The abduction and imprisonment of the dawn goddess, and her liberation by a heroic god slaying the dragon who imprisons her, is a central myth of Indo-European religion, reflected in numerous traditions. Most notably, it is the central myth of the Rigveda, a collection of hymns surrounding the Soma rituals dedicated to Indra in the new year celebrations of the early Indo-Aryans.
Ushas, Sanskrit for “dawn”, is a Vedic deity, and consequently a Hindu deity as well. She is often spoken of in the plural, “the Dawns.” Sanskrit uṣas is an s-stem, i.e. the genitive case is uṣásas. It is from PIE *hausos-, cognate to Greek Eos and Latin Aurora.
She is portrayed as warding off evil spirits of the night, and as a beautifully adorned young woman riding in a golden chariot on her path across the sky. Due to her color she is often identified with the reddish cows, and both are released by Indra from the Vala cave at the beginning of time.
Vala (valá-), meaning “enclosure” in Vedic Sanskrit, is a demon of the Rigveda and the Atharvaveda, the brother of Vrtra. Historically, it has the same origin as the Vrtra story, being derived from the same root, and from the same root also as Varuna, *val-/var- (PIE *wel-) “to cover, to enclose” (perhaps cognate to veil).
Parallel to Vrtra “the blocker”, a stone serpent slain by Indra to liberate the rivers, Vala is a stone cave, split by Indra (intoxicated and strengthened by Soma, identified) to liberate the cows and Ushas, hidden there by the Panis.
In one recent Hindu interpretation, Sri Aurobindo in his Secret of the Veda, described Ushas as “the medium of the awakening, the activity and the growth of the other gods; she is the first condition of the Vedic realisation. By her increasing illumination the whole nature of man is clarified; through her [mankind] arrives at the Truth, through her he enjoys [Truth’s] beatitude.”
Ishara is an ancient deity of unknown origin from northern modern Syria. She first appeared in Ebla and was incorporated to the Hurrian pantheon from which she found her way to the Hittite pantheon. She was associated with the underworld. In Hurrian and Semitic traditions, Išḫara is a love goddess, often identified with Ishtar. Ishara is the Hittite word for “treaty, binding promise”, also personified as a goddess of the oath.
Variants of the name appear as Ašḫara (in a treaty of Naram-Sin of Akkad with Hita of Elam) and Ušḫara (in Ugarite texts). In Ebla, there were various logographic spellings involving the sign AMA “mother”. In Alalah, her name was written with the Akkadogram IŠTAR plus a phonetic complement -ra, as IŠTAR-ra.
Ama-gi is a Sumerian word written ama-gi or ama-ar-gi. It has been translated as “freedom”, as well as “manumission”, “exemption from debts or obligations”, and “the restoration of persons and property to their original status” including the remission of debts. Other interpretations include a “reversion to a previous state” and release from debt, slavery, taxation or punishment.
The word originates from the noun ama “mother” (sometimes with the enclitic dative case marker ar), and the present participle gi4 “return, restore, put back”, thus literally meaning “returning to mother”. Assyriologist Samuel Noah Kramer has identified it as the first known written reference to the concept of freedom. Referring to its literal meaning “return to the mother”, he wrote in 1963 that “we still do not know why this figure of speech came to be used for “freedom.””
The earliest known usage of the word was in the reforms of Urukagina. By the Third Dynasty of Ur, it was used as a legal term for the manumission of individuals. It is related to the Akkadian word anduraāru(m), meaning “freedom”, “exemption” and “release from (debt) slavery”.
The Phrygian cap is a soft conical cap with the top pulled forward, associated in antiquity with several peoples in Eastern Europe and Anatolia, including Phrygia, Dacia and the Balkans. In early modern Europe it came to signify freedom and the pursuit of liberty through a confusion with the pileus, the felt cap of manumitted (emancipated) slaves of ancient Rome. Accordingly, the Phrygian cap is sometimes called a liberty cap; in artistic representations it signifies freedom and the pursuit of liberty.
By the 4th century BC (early Hellenistic period) the Phrygian cap was associated with Phrygian Attis, the consort of Cybele, the cult of which had by then become graecified. At around the same time, the cap appears in depictions of the legendary king Midas and other Phrygians in Greek vase-paintings and sculpture. Such images predate the earliest surviving literary references to the cap.
The Phrygian cap reappears in figures related to the first to fourth century religion Mithraism. This astrology-centric Roman mystery cult (cultus) projected itself with pseudo-Oriental trappings (known as perserie in scholarship) in order to distinguish itself from both traditional Roman religion and from the other mystery cults.
In the artwork of the cult (e.g. in the so-called “tauroctony” cult images), the figures of the god Mithras as well as those of his helpers Cautes and Cautopates are routinely depicted with a Phrygian cap. The function of the Phrygian cap in the cult are unknown, but it is conventionally identified as an accessory of its perserie.
*Mitra is the reconstructed Proto-Indo-Iranian name of an Indo-Iranian divinity from which the names and some characteristics of Rigvedic Mitrá and Avestan Mithra derive. A vrddhi-derived form of Sanskrit mitra gives Maitreya, the name of a bodhisattva in Buddhist tradition. Additionally, the Manichaeans also adopted ‘Maitreya’ as the name of their “first messenger”.
Both Vedic Mitra and Avestan Mithra derive from an Indo-Iranian common noun *mitra-, generally reconstructed to have meant “covenant, treaty, agreement, promise.” This meaning is preserved in Avestan miθra “covenant.” In Sanskrit and modern Indo-Aryan languages, mitra means “friend,” one of the aspects of bonding and alliance.
Vedic Mitra is a prominent deity of the Rigveda distinguished by a relationship to Varuna, the protector of rta. Together with Varuna, he counted among the Adityas, a group of solar deities, also in later Vedic texts. Vedic Mitra is the patron divinity of honesty, friendship, contracts and meetings.
The first extant record of Indic Mitra, in the form mi-it-ra-, is in the inscribed peace treaty of c. 1400 BC between Hittites and the Hurrian kingdom of the Mitanni in the area southeast of Lake Van in Asia Minor. There Mitra appears together with four other Indic divinities as witnesses and keepers of the pact.
In the Vedic religion, Ṛta (Sanskrit ṛtaṃ “that which is properly/excellently joined; order, rule; truth”) is the principle of natural order which regulates and coordinates the operation of the universe and everything within it.
In the hymns of the Vedas, Ṛta is described as that which is ultimately responsible for the proper functioning of the natural, moral and sacrificial orders. Conceptually, it is closely allied to the injunctions and ordinances thought to uphold it, collectively referred to as Dharma, and the action of the individual in relation to those ordinances, referred to as Karma – two terms which eventually eclipsed Ṛta in importance as signifying natural, religious and moral order in later Hinduism.
Sanskrit scholar Maurice Bloomfield referred to Ṛta as “one of the most important religious conceptions of the Rig Veda”, going on to note that, “from the point of view of the history of religious ideas we may, in fact we must, begin the history of Hindu religion at least with the history of this conception”.
Ṛta is derived from the Sanskrit verb root ṛ- “to go, move, rise, tend upwards”, and the derivative noun ṛtam is defined as “fixed or settled order, rule, divine law or truth”. As Mahony (1998) notes, however, the term can just as easily be translated literally as “that which has moved in a fitting manner”, abstractly as “universal law” or “cosmic order”, or simply as “truth”. The latter meaning dominates in the Avestan cognate to Ṛta, aša.
The notion of a universal principle of natural order is by no means unique to the Vedas, and Ṛta has been compared to similar ideas in other cultures, such as Ma’at in Ancient Egyptian religion, Moira and the Logos in Greek paganism, and the Tao.
Early Christian art (and continuing well into the Middle Ages) build on the same Greco-Roman perceptions of (Pseudo-)Zoroaster and his “Magi” as experts in the arts of astrology and magic, and routinely depict the “three wise men” (that follow a star) with Phrygian caps.
In late Republican Rome, a soft felt cap called the pileus served as a symbol of freemen (i.e. non-slaves), and was symbolically given to slaves upon manumission, thereby granting them not only their personal liberty, but also libertas— freedom as citizens, with the right to vote (if male). Following the assassination of Julius Caesar in 44 BC, Brutus and his co-conspirators instrumentalized this symbolism of the pileus to signify the end of Caesar’s dictatorship and a return to the (Roman) republican system.
These Roman associations of the pileus with liberty and republicanism were carried forward to the 18th-century, when the pileus was confused with the Phrygian cap, with the Phrygian cap then becoming a symbol of those values.
Astraea or Astrea (“star-maiden”), in ancient Greek religion, was a daughter of Astraeus and Eos. She was the virgin goddess of innocence and purity and is always associated with the Greek goddess of justice, Dike (daughter of Zeus and Themis and the personification of just judgement). She is not to be confused with Asteria, the goddess of the stars and the daughter of Coeus and Phoebe.
Astraea, the celestial virgin, was the last of the immortals to live with humans during the Golden Age, one of the old Greek religion’s five deteriorating Ages of Man. According to Ovid, Astraea abandoned the earth during the Iron Age.
Fleeing from the new wickedness of humanity, she ascended to heaven to become the constellation Virgo, one of the constellations of the zodiac. Its name is Latin for virgin. Lying between Leo to the west and Libra to the east, it is the second largest constellation in the sky (after Hydra). It can be easily found through its brightest star, Spica. Virgo is often portrayed carrying two sheaves of wheat, one of which is marked by the bright star Spica.
According to the Babylonian Mul.Apin, which dates from 1000–686 BCE, this constellation was known as “The Furrow”, representing the goddess Shala’s ear of grain. One star in this constellation, Spica, retains this tradition as it is Latin for “ear of grain”, one of the major products of the Mesopotamian furrow. The constellation was also known as “AB.SIN” and “absinnu”. For this reason the constellation became associated with fertility.
According to Gavin White the figure of Virgo corresponds to two Babylonian constellations: the “Furrow” in the eastern sector of Virgo and the “Frond of Erua” in the western sector. The Frond of Erua was depicted as a goddess holding a palm-frond – a motif that still occasionally appears in much later depictions of Virgo.
The Greeks and Romans associated Virgo with their goddess of wheat/agriculture, Demeter-Ceres who is the mother of Persephone-Proserpina. Alternatively, she was sometimes identified as the virgin goddess Iustitia or Astraea, holding the scales of justice in her hand as the constellation Libra.
Another myth identifies Virgo as Erigone, the daughter of Icarius of Athens. Icarius, who had been favoured by Dionysus, was killed by his shepherds while they were intoxicated and Erigone hanged herself in grief; Dionysus placed the father and daughter in the stars as Boötes and Virgo respectively. In the Middle Ages, Virgo was sometimes associated with the Blessed Virgin Mary.
The nearby constellation Libra reflected her symbolic association with Dike, who in Latin culture as Justitia is said to preside over the constellation. In the Tarot, the 8th card, Justice, with a figure of Justitia, can thus be considered related to the figure of Astraea on historical iconographic grounds.
Libra is a constellation of the zodiac. Its name is Latin for weighing scales. It is fairly faint, with no first magnitude stars, and lies between Virgo to the west and Scorpius to the east. Beta Librae, also known as Zubeneschamali, is the brightest star in the constellation.
Libra was known in Babylonian astronomy as MUL Zibanu (the “scales” or “balance”), or alternatively as the Claws of the Scorpion. The scales were held sacred to the sun god Shamash, who was also the patron of truth and justice. It was also seen as the Scorpion’s Claws in ancient Greece. Since these times, Libra has been associated with law, fairness and civility.
In Arabic zubānā means “scorpion’s claws”, and likely similarly in other Semitic languages: this resemblance of words may be why the Scorpion’s claws became the Scales. It has also been suggested that the scales are an allusion to the fact that when the sun entered this part of the ecliptic at the autumnal equinox, the days and nights are equal.
Libra’s status as the location of the equinox earned the equinox the name “First Point of Libra”, though this location ceased to coincide with the constellation in 730 because of the precession of the equinoxes.
In ancient Egypt the three brightest stars of Libra (α, β, and σ Librae) formed a constellation that was viewed as a boat. Libra is a constellation not mentioned by Eudoxus or Aratus. Libra is mentioned by Manetho (3rd century B.C.) and Geminus (1st century B.C.), and included by Ptolemy in his 48 asterisms. It only became a constellation in ancient Rome, when it began to represent the scales held by Astraea, the goddess of justice, associated with Virgo.
A goddess named for and representing the concept Liberty has existed in many cultures, including classical examples dating from the Roman Empire to those representing national symbols such as the American Columbia and its Statue of Liberty, an artwork created under the name Liberty Enlightening the World, and the French Marianne. In 1793, during the French Revolution, the Notre Dame de Paris cathedral was turned into a “Cult of Reason” and, for a time, “Lady Liberty” replaced the Virgin Mary on several altars.
According to legend, Astraea will one day come back to Earth, bringing with her the return of the utopian Golden Age of which she was the ambassador.
Ēostre or Ostara is a Germanic goddess who, by way of the Germanic month bearing her name (Northumbrian: Ēosturmōnaþ; West Saxon: Ēastermōnaþ; Old High German: Ôstarmânoth ), is the namesake of the festival of Easter in some languages.
Ēostre is attested solely by Bede in his 8th-century work The Reckoning of Time, where Bede states that during Ēosturmōnaþ (the equivalent of April), pagan Anglo-Saxons had held feasts in Ēostre’s honor, but that this tradition had died out by his time, replaced by the Christian Paschal month, a celebration of the resurrection of Jesus.
Some scholars have linked customs and imagery involving hares to Ēostre and the Norse goddess Freyja. Scholars have theorized about whether Freyja and the goddess Frigg ultimately stem from a single goddess common among the Germanic peoples.
The name Friday comes from the Old English Frīġedæġ, meaning the “day of Frige”, a result of an old convention associating the Old English goddess Frigg with the Roman goddess Venus, with whom the day is associated in many different cultures. The same holds for Frīatag in Old High German, Freitag in Modern German, and vrijdag in Dutch.
The expected cognate name in Old Norse would be *friggjar-dagr. However, the name of Friday in Old Norse is frjá-dagr instead, indicating a loan of the week-day names from Low German. The modern Scandinavian form is Fredag in Swedish, Norwegian, and Danish, meaning Freyja’s day.
Freyja’s name appears in numerous place names in Scandinavia, with a high concentration in southern Sweden. Various plants in Scandinavia once bore her name, but it was replaced with the name of the Virgin Mary during the process of Christianization. Rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art.
Virgo is the sixth astrological sign in the Zodiac. Virgo is the second-largest constellation. It spans the 150-180th degree of the zodiac. Under the tropical zodiac, the Sun transits this area on average between August 22 and September 22, and under the sidereal zodiac, the sun transits the constellation of Virgo from September 17 to October 17.
The symbol of the maiden is based on Astraea. In Greek mythology, she was the last immortal to abandon Earth at the end of the Silver Age, when the gods fled to Olympus – hence the sign’s association with Earth.
In ancient Roman religion and myth, Mars was the god of war and also an agricultural guardian, a combination characteristic of early Rome. Most of his festivals were held in March, the month named for him (Latin Martius), and in October, which began the season for military campaigning and ended the season for farming.
Mars represented military power as a way to secure peace, and was a father (pater) of the Roman people. In the mythic genealogy and founding myths of Rome, Mars was the father of Romulus and Remus with Rhea Silvia. His love affair with Venus symbolically reconciled the two different traditions of Rome’s founding; Venus was the divine mother of the hero Aeneas, celebrated as the Trojan refugee who “founded” Rome several generations before Romulus laid out the city walls.
Mars is named after the Roman god of war. In different cultures, Mars represents masculinity and youth. Its symbol, a circle with an arrow pointing out to the upper right, is used as a symbol for the male gender. The Venus symbol consists of a circle with a small cross below it. It originates in Late Antiquity as an astrological symbol for the planet Venus (associated with the goddess Venus), and hence as alchemical symbol for copper. In zoology and botany, it is used to represent the female sex (alongside the astrological symbol for Mars representing the male sex).
The name of March comes from Latin Martius, the first month of the earliest Roman calendar. Martius remained the first month of the Roman calendar year perhaps as late as 153 BC, and several religious observances in the first half of the month were originally new year’s celebrations. Even in late antiquity, Roman mosaics picturing the months sometimes still placed March first.
Aries (meaning “ram”) is the first astrological sign in the zodiac, spanning the first 30 degrees of celestial longitude (0°≤ λ <30°). Under the tropical zodiac, the Sun transits this sign mostly between March 21 and April 20 each year. This time duration is exactly the first month of Solar Hejri calendar (Farvardin). Under the sidereal zodiac, the sun currently transits Aries from April 15 to May 14 (approximately).
The symbol of the ram is based on the Chrysomallus, the flying ram that provided the Golden Fleece.In Greek mythology, the Golden Fleece is the fleece of the gold-hair[a] winged ram, which was held in Colchis.
The First Point of Aries (also known as the Cusp of Aries) is the location of the vernal equinox, and is named for the constellation of Aries. It is one of the two points on the celestial sphere at which the celestial equator meets the ecliptic plane, the other being the First Point of Libra, located exactly 180° from it.
Over its year-long journey through the constellations, the Sun crosses the celestial equator from south to north at the First Point of Aries, and from north to south at the First Point of Libra. The First Point of Aries is considered to be the celestial “prime meridian” from which right ascensions are calculated.
Due to Earth’s axial precession, this point gradually moves westwards at a rate of about one degree every 72 years. This means that, since the time of Hipparchus, it has shifted across the sky by about 30°, and is currently located within Pisces, near its border with Aquarius. Currently, the closest major star to the First Point of Aries is λ Piscium. The Sun now appears in Aries from late April through mid May, though the constellation is still associated with the beginning of spring.
The Cusp of Aries is important to the fields of astronomy, nautical navigation and astrology. Navigational ephemeris tables record the geographic position of the First Point of Aries as the reference for position of navigational stars.
Due to the slow precession of the equinoxes have slowly walked West. The tropical zodiac are identically affected and no longer correspond with the constellations. The Cusp of Libra today is located within Virgo, and is the basis for the concept of astrological ages. In sidereal astrology, by contrast, the first point of Aries remains aligned with the Aries constellation. This point will pass into the neighbouring constellation of Leo around the year 2440.
Pisces is a constellation of the zodiac. Its name is the Latin plural for fish. It lies between Aquarius to the west and Aries to the east. The ecliptic and the celestial equator intersect within this constellation and in Virgo.
Pisces is the twelfth astrological sign in the Zodiac, originating from the Pisces constellation. It spans the 330° to 360° of the zodiac, between 332.75° and 360° of celestial longitude. Under the tropical zodiac the sun transits this area on average between February 19 and March 20, and under the sidereal zodiac, the sun transits this area between approximately March 13 and April 13.
According to some tropical astrologers, the current astrological age is the Age of Pisces, while others maintain that it is the Age of Aquarius. While the astrological sign Pisces per definition runs from elliptical longitude 330° to 0°, this position is now mostly covered by the constellation of Aquarius, due to the precession from when the constellation and the sign coincided.
Inanna was the Sumerian goddess of love, beauty, sexual desire, fertility, knowledge, wisdom, war, and combat. Inanna’s Akkadian counterpart is Ishtar. Inanna was associated with the eastern fish of the last of the zodiacal constellations, Pisces. Her consort Dumuzi was associated with the contiguous first constellation, Aries.
According to one Greek myth, Pisces represents the fish, sometimes represented by koi fish, into which Aphrodite (also considered Venus) and her son Eros (also considered Cupid) transformed in order to escape the monster Typhon. Typhon, the “father of all monsters” had been sent by Gaia to attack the gods, which led Pan to warn the others before himself changing into a goat-fish and jumping into the Euphrates.
Purim, a Jewish holiday, falls at the full moon preceding the Passover, which was set by the full moon in Aries, which follows Pisces. The story of the birth of Christ is said to be a result of the spring equinox entering into the Pisces, as the “Savior of the World” appeared as the Fisher of Men. This parallels the entering into the Age of Pisces.
Moreover, the twelve apostles were called the “fishers of men,” early Christians called themselves “little fishes,” and a code word for Jesus was the Greek word for fish, “Ikhthus.” With this, the start of the age, or the “Great Month of Pisces” is regarded as the beginning of the Christian religion. Saint Peter is recognized as the apostle of the Piscean sign.
Pisces has been called the “dying god,” where its sign opposite in the night sky is Virgo, or, the Virgin Mary. When Jesus was asked by his disciples where the next Passover would be, he replied to them: Behold, when ye are entered into the city, there shall a man meet you bearing a pitcher of water… follow him into the house where he entereth in (Jesus, Luke 22:10). This coincides with the changing of the ages, into the Age of Aquarius, as the personification of the constellation of Aquarius is a man carrying a pitcher of water.
An astrological age is a time period in astrology that parallels major changes in the development of Earth’s inhabitants, particularly relating to culture, society and politics, and there are twelve astrological ages corresponding to the twelve zodiacal signs. Astrological ages occur because of a phenomenon known as the precession of the equinoxes, and one complete period of this precession is called a Great Year or Platonic Year of about 25,920 years. The age of Pisces began c. 1 AD and will end c. 2150 AD.
With the story of the birth of Christ coinciding with this date, many Christian symbols for Christ use the astrological symbol for Pisces, the fishes. The figure Christ himself bears many of the temperaments and personality traits of a Pisces, and is thus considered an archetype of the Piscean.
A planet’s domicile is the zodiac sign over which it has rulership, and the rulers of Pisces, or those associated with Pisceans, are Jupiter, Neptune, and the moon. In esoteric astrology, Venus was considered the ruler of Pisces, and prior to the discovery of Neptune in 1846, Jupiter was said to rule Pisces primarily. Neptune is mostly considered the secondary ruling planet of Pisces today because of the association with the Roman god of water and the sea, Neptune.
In astrology, a celestial body is said to be in detriment, or exile, when it is positioned in the zodiac sign opposite the sign it rules (over which it has domicile). When a celestial body is in detriment it is said to be not comfortable in that sign and to tend to operate with the least strength. The detriment, or the sign “opposite” to that which is deemed the ruling planet, is Mercury. Venus is the ruling planet of Taurus and Libra and is exalted in Pisces, while Mercury also falled into Pisces.
Mercury is the ruling planet of Gemini and Virgo and is exalted in Virgo or Aquarius. It has been theorized that in time, all twelve signs of the zodiac will each have their own ruler, so that another two planets have yet to be discovered; namely the “true” rulers of Taurus and Virgo. The names of the planets mentioned in this regard by some are Vulcan (ruler of Virgo) and Apollo, the Roman god of the Sun (ruler of Taurus).
Saturn is the ruling planet of Capricorn and Aquarius and is exalted in Libra. Before the discovery of Uranus, Saturn was regarded as the ruling planet of Aquarius alongside Capricorn of course, which is the preceding sign. Many traditional types of astrologers prefer Saturn as the planetary ruler for both Capricorn and Aquarius. Uranus is the ruling planet of Aquarius and is exalted in Scorpio.
Saturn is associated with Saturday, which was named after the deity Saturn. Dante Alighieri associated Saturn with the liberal art of astronomia (astronomy and astrology). In Chinese astrology, Saturn is ruled by the element earth, which is warm, generous, and co-operative. In Indian astrology, Saturn is called Shani or “Sani”, representing a noteworthy career and longevity. He is also the bringer of obstacles and hardship.
In Greek mythology, Uranus is the personification of the heavens and the night sky. The name of Caelus indicates that he was the Roman counterpart of the Greek god Uranus (Ouranos), who was of major importance in the theogonies of the Greeks.