Cradle of Civilization

A Blog about the Birth of Our Civilisation and Development


Posted by Fredsvenn on August 9, 2016

The cosmogenic myth common in Sumer was that of the hieros gamos, a sacred marriage where divine principles in the form of dualistic opposites came together as male and female to give birth to the cosmos.

Hieros gamos or Hierogamy (“holy marriage”) refers to a sexual ritual that plays out a marriage between a god and a goddess, especially when enacted in a symbolic ritual where human participants represent the deities. It is the marriage of genetic and spiritual equal, the rightful King and Queen restored into Oneness, sharing the Crown of Sovereignty as One.

Sacred prostitution was common in the Ancient Near East as a form of “Sacred Marriage” or hieros gamos between the king of a Sumerian city-state and the High Priestess of Inanna, the Sumerian goddess of love, fertility, and warfare.

Along the Tigris and Euphrates rivers there were many shrines and temples dedicated to Inanna. The temple of Eanna, meaning “house of heaven” in Uruk was the greatest of these.

The temple housed Nadītu, priestesses of the goddess. The high priestess would choose for her bed a young man who represented the shepherd Dumuzid, consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Duku ceremony, just before Invisible Moon, with the autumn Equinox (Autumnal Zag-mu Festival).

Sumerian religion seems to have been founded upon two separate cosmogenic myths. The first saw creation as the result of a series of hieros gami or sacred marriages, involving the reconciliation of opposites, postulated as a coming together of male and female divine beings; the gods. This continued to influence the whole Mesopotamian mythos.

Thus in the Enuma Elish the creation was seen as the union of fresh and salt water; as male Abzu, and female Tiamat. The products of that union, Lahm and Lahmu, “the muddy ones”, were titles given to the gate keepers of the E-Abzu temple of Enki, in Eridu, the first Sumerian city.

Describing the way that muddy islands emerge from the confluence of fresh and salty water at the mouth of the Euphrates, where the river deposited its load of silt, a second hieros gamos supposedly created Anshar and Kishar, the “sky-pivot” or axle, and the “earth pivot”, parents in turn of Anu (the sky) and Ki (the earth).

Another important Sumerian hieros gamos was that between Ki, here known as Ninhursag or “Lady Sacred Mountain”, and Enki of Eridu, the god of fresh water which brought forth greenery and pasture.

Puruli was a Hattian spring festival, held at Nerik, dedicated to the earth goddess Hannahanna, who is married to a new king. The central ritual of the Puruli festival is dedicated to the destruction of the dragon Illuyanka by the storm god Teshub. The corresponding Assyrian festival is the Akitu of the Enuma Elish. Also compared are the Canaanite Poem of Baal and Psalms 93 and 29.

Akitu or Akitum (Sumerian: ezen á.ki.tum, akiti-šekinku, á.ki.ti.še.gur₁₀.ku₅, lit. “the barley-cutting”, akiti-šununum, lit. “barley-sowing”; Akkadian: akitu or rêš-šattim, “head of the year”) was a spring festival in ancient Mesopotamia.

The name is from the Sumerian for “barley”, originally marking two festivals celebrating the beginning of each of the two half-years of the Sumerian calendar, marking the sowing of barley in autumn and the cutting of barley in spring. In Babylonian religion it came to be dedicated to Marduk’s victory over Tiamat.

Tiamat is a primordial goddess of the ocean, mating with Abzû (the god of fresh water) to produce younger gods. She is the symbol of the chaos of primordial creation, depicted as a woman, she represents the beauty of the feminine, depicted as the glistening one. Some sources identify her with images of a sea serpent or dragon.

Thorkild Jacobsen and Walter Burkert both argue for a connection with the Akkadian word for sea, tâmtu, following an early form, ti’amtum. Tiamat also has been claimed to be cognate with Northwest Semitic tehom (the deeps, abyss), in the Book of Genesis 1:2.

It is suggested that there are two parts to the Tiamat mythos, the first in which Tiamat is a creator goddess, through a “Sacred marriage” between salt and fresh water, peacefully creating the cosmos through successive generations. In the second “Chaoskampf” Tiamat is considered the monstrous embodiment of primordial chaos.

The Babylonian epic Enuma Elish is named for its incipit: “When above” the heavens did not yet exist nor the earth below, Apsu the freshwater ocean was there, “the first, the begetter”, and Tiamat, the saltwater sea, “she who bore them all”; they were “mixing their waters”.

The Lingam (liṅgaṃ, also linga, ling, Shiva linga, Shiv ling, meaning sign, symbol or phallus) is an abstract or aniconic representation of the Hindu deity, Shiva, used for worship in temples, smaller shrines, or as self-manifested natural objects. In traditional Indian society, the lingam is seen as a symbol of the energy and potential of Shiva himself.

The lingam is often represented alongside the yoni (Sanskrit word, literally “origin” or “source” or “womb”), a symbol of the goddess or of Shakti, female creative energy. The union of lingam and yoni represents the “indivisible two-in-oneness of male and female, the passive space and active time from which all life originates”.

An omphalos is a religious stone artifact, or baetylus. In Greek, the word omphalos means “navel”. In the ancient world of the Mediterranean, it was a powerful religious symbol.

The omphalos was not only an object of Hellenic religious symbolism and world centrality; it was also considered an object of power. Its symbolic references included the uterus, the phallus, and a cup of red wine representing royal blood lines.

Ekur is a Sumerian term meaning “mountain house”. There is a clear association of Ziggurats with mountain houses. In the Hymn to Enlil, the Ekur is closely linked to Enlil whilst in Enlil and Ninlil it is the abode of the Annanuki, from where Enlil is banished. The fall of Ekur is described in the Lament for Ur.

It is the assembly of the gods in the Garden of the gods, parallel in Greek mythology to Mount Olympus and was the most revered and sacred building of ancient Sumer. In mythology, the Ekur was the centre of the earth and location where heaven and earth were united.

The priests of the Ekur festivities are described with en being the high priest, lagar as his associate, mues the leader of incantations and prayers, and guda the priest responsible for decoration. Sacrifices and food offerings were brought by the king, described as “faithful shepherd” or “noble farmer”.

It is thought that female deities are older than male ones in Mesopotamia and Tiamat may have begun as part of the cult of Nammu (also Namma, spelled ideographically dNAMMA = dENGUR), a female principle of a watery creative force, with equally strong connections to the underworld, which predates the appearance of Ea-Enki.

In Sumeruian mythology Nammu was a primeval goddess, corresponding to Tiamat in Babylonian mythology. Nammu was the Goddess Sea (Engur) that gave birth to An (heaven) and Ki (earth) and the first gods, representing the Apsu, the fresh water ocean that the Sumerians believed lay beneath the earth, the source of life-giving water and fertility in a country with almost no rainfall.

Nammu is not well attested in Sumerian mythology. She may have been of greater importance prehistorically, before Enki took over most of her functions.

According to the Neo-Sumerian mythological text Enki and Ninmah, Enki is the son of An and Nammu, the goddess who “has given birth to the great gods”. It is she who has the idea of creating mankind, and she goes to wake up Enki, who is asleep in the Apsu, so that he may set the process going.

Reay Tannahill in Sex in History (1980) singled out Nammu as the “only female prime mover” in the cosmogonic myths of antiquity. The Atrahasis-Epos has it that Enlil requested from Nammu the creation of humans. And Nammu told him that with the help of Enki (her son) she can create humans in the image of gods.

After six generations of gods, in the Babylonian “Enuma Elish”, in the seventh generation, (Akkadian “shapattu” or sabath), the younger Igigi gods, the sons and daughters of Enlil and Ninlil, go on strike and refuse their duties of keeping the creation working.

Abzu God of fresh water, co-creator of the cosmos, threatens to destroy the world with his waters, and the Gods gather in terror. Enki promises to help and puts Abzu to sleep, confining him in irrigation canals and places him in the Kur, beneath his city of Eridu. But the universe is still threatened, as Tiamat, angry at the imprisonment of Abzu and at the prompting of her son and vizier Kingu, decides to take back the creation herself.

The gods gather again in terror and turn to Enki for help, but Enki who harnessed Abzu, Tiamat’s consort, for irrigation refuses to get involved. The gods then seek help elsewhere, and the patriarchal Enlil, their father, God of Nippur, promises to solve the problem if they make him King of the Gods. In the Babylonian tale, Enlil’s role is taken by Marduk, Enki’s son, and in the Assyrian version it is Asshur.

After dispatching Tiamat with the “arrows of his winds” down her throat and constructing the heavens with the arch of her ribs, Enlil places her tail in the sky as the Milky Way, and her crying eyes become the source of the Tigris and Euphrates. But there is still the problem of “who will keep the cosmos working”.

Enki, who might have otherwise come to their aid, is lying in a deep sleep and fails to hear their cries. His mother Nammu (creatrix also of Abzu and Tiamat) “brings the tears of the gods” before Enki and says:

“Oh my son, arise from thy bed, from thy (slumber), work what is wise, Fashion servants for the Gods, may they produce their (bread?).” Enki then advises that they create a servant of the gods, humankind, out of clay and blood.

Against Enki’s wish the Gods decide to slay Kingu, and Enki finally consents to use Kingu’s blood to make the first human, with whom Enki always later has a close relationship, the first of the seven sages, seven wise men or “Abgallu” (Ab = water, Gal = great, Lu = Man), also known as Adapa.

Enki assembles a team of divinities to help him, creating a host of “good and princely fashioners”. Adapa, the first man fashioned, later goes and acts as the advisor to the King of Eridu, when in the Sumerian Kinglist, the “Me” of “kingship descends on Eridu”.

Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth.

In the later Babylonian epic Enûma Eliš, Abzu, the “begetter of the gods”, is inert and sleepy but finds his peace disturbed by the younger gods, so sets out to destroy them.

His grandson Enki, chosen to represent the younger gods, puts a spell on Abzu “casting him into a deep sleep”, thereby confining him deep underground. Enki subsequently sets up his home “in the depths of the Abzu.” Enki thus takes on all of the functions of the Abzu, including his fertilising powers as lord of the waters and lord of semen.

Early royal inscriptions from the third millennium BCE mention “the reeds of Enki”. Reeds were an important local building material, used for baskets and containers, and collected outside the city walls, where the dead or sick were often carried. This links Enki to the Kur or underworld of Sumerian mythology.

In another even older tradition, Nammu, the goddess of the primeval creative matter and the mother-goddess portrayed as having “given birth to the great gods,” was the mother of Enki, and as the watery creative force, was said to preexist Ea-Enki.

Benito states “With Enki it is an interesting change of gender symbolism, the fertilising agent is also water, Sumerian “a” or “Ab” which also means “semen”. In one evocative passage in a Sumerian hymn, Enki stands at the empty riverbeds and fills them with his ‘water'”. This may be a reference to Enki’s hieros gamos or sacred marriage with Ki/Ninhursag (the Earth).

His symbols included a goat and a fish, which later combined into a single beast, the goat Capricorn, recognised as the Zodiacal constellation Capricornus. He was accompanied by an attendant Isimud. He was also associated with the planet Mercury in the Sumerian astrological system.

Aries () (meaning “ram”) is the first astrological sign in the Zodiac, spanning the first 30 degrees of celestial longitude (0°≤ λ <30°). Aries is the first fire sign in the zodiac, the other fire signs being Leo, the fifth astrological sign of the zodiac, originating from the constellation of Leo, and Sagittarius, the ninth astrological sign, which is associated with the constellation Sagittarius.

Under the tropical zodiac, the Sun transits this sign mostly between March 21 and April 19 each year. Under the sidereal zodiac, the sun currently transits Aries from April 15 to May 14(approximately). Individuals born during these dates, depending on which system of astrology they subscribe to, may be called Arians or Ariens.

The symbol of the ram is based on the Chrysomallus, the flying ram that provided the Golden Fleece. In Greek mythology, the Golden Fleece is the fleece of the gold-hair[a] winged ram, which was held in Colchis. The fleece is a symbol of authority and kingship.

In the description of the Babylonian zodiac given in the clay tablets known as the MUL.APIN, a comprehensive table of the risings and settings of stars, which likely served as an agricultural calendar, the constellation now known as Aries was the final station along the ecliptic.

Astrologically, Aries has been associated with the head and its humors. It was strongly associated with Mars, both the planet and the god. It was considered to govern Western Europe and Syria, and to indicate a strong temper in a person.

The First Point of Aries, the location of the vernal equinox, is named for the constellation. This is because the Sun crossed the celestial equator from south to north in Aries more than two millennia ago. Hipparchus defined it in 130 BC. as a point south of Gamma Arietis.

Because of the precession of the equinoxes, the First Point of Aries has since moved into Pisces and will move into Aquarius by around 2600 AD. The Sun now appears in Aries from late April through mid May, though the constellation is still associated with the beginning of spring.

Modern-day Aries was known as MULLÚ.ḪUN.GÁ, “The Agrarian Worker” or “The Hired Man”. Although Aries came to represent specifically the ram whose fleece became the Golden Fleece of Ancient Greek mythology, it has represented a ram since late Babylonian times. Before that, the stars of Aries formed a farmhand.

Kingu, also spelled Qingu, meaning “unskilled laborer,” was a god in Babylonian mythology, and — after the murder of his father Abzu — the consort of the goddess Tiamat, his mother, who wanted to establish him as ruler and leader of all gods before she was killed by Marduk.

Tiamat gave Kingu the 3 Tablets of Destiny, which he wore as a breastplate and which gave him great power. She placed him as the general of her army. However, like Tiamat, Kingu was eventually killed by Marduk. Marduk mixed Kingu’s blood with earth and used the clay to mold the first human beings, while Tiamat’s body created the earth and the skies. Kingu then went to live in the underworld kingdom of Ereshkigal, along with the other deities who had sided with Tiamat.

The aegis or aigis, as stated in the Iliad, is carried by Athena and Zeus, but its nature is uncertain. It had been interpreted as an animal skin or a shield, sometimes bearing the head of a Gorgon.

There may be a connection with a deity named Aex or Aix, a daughter of Helios and a nurse of Zeus or alternatively a mistress of Zeus. The aegis of Athena is referred to in several places in the Iliad.

The modern concept of doing something “under someone’s aegis” means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse mythology and in Egyptian mythology as well, where the Greek word aegis is applied by extension.

Geshtu-(E) (also Geshtu, Gestu) is, in Sumerian and Akkadian mythology, a minor god of intelligence. Legend says that he was sacrificed by the great gods and his blood was used in the creation of mankind.

Although likely compiled in the 12th or 11th century BC, the MUL.APIN reflects a tradition which marks the Pleiades as the vernal equinox, which was the case with some precision at the beginning of the Middle Bronze Age.

The earliest identifiable reference to Aries as a distinct constellation comes from the boundary stones that date from 1350 to 1000 BC. On several boundary stones, a zodiacal ram figure is distinct from the other characters present. The shift in identification from the constellation as the Agrarian Worker to the Ram likely occurred in later Babylonian tradition because of its growing association with Dumuzi the Shepherd.

By the time the MUL.APIN was created—by 1000 BC—modern Aries was identified with both Dumuzi’s ram and a hired laborer. The exact timing of this shift is difficult to determine due to the lack of images of Aries or other ram figures.

In ancient Egyptian astronomy, Aries was associated with the god Amon-Ra, who was depicted as a man with a ram’s head and represented fertility and creativity. Because it was the location of the vernal equinox, it was called the “Indicator of the Reborn Sun”.

During the times of the year when Aries was prominent, priests would process statues of Amon-Ra to temples, a practice that was modified by Persian astronomers centuries later. Aries acquired the title of “Lord of the Head” in Egypt, referring to its symbolic and mythological importance.

Anu (in Akkadian; Sumerian: An, from An “sky, heaven”) is the earliest attested Sky Father deity. In Sumerian religion, he was also “King of the Gods”, “Lord of the Constellations, Spirits and Demons”, and “Supreme Ruler of the Kingdom of Heaven”, where Anu himself wandered the highest Heavenly Regions.

He was believed to have the power to judge those who had committed crimes, and to have created the stars as soldiers to destroy the wicked. His attribute was the Royal Tiara.

Anu existed in Sumerian cosmogony as a dome that covered the flat earth; Outside of this dome was the primordial body of water known as Nammu (not to be confused with the subterranean Abzu).

In Sumerian, the designation “An” was used interchangeably with “the heavens” so that in some cases it is doubtful whether, under the term, the god An or the heavens is being denoted.

The Akkadians inherited An as the god of heavens from the Sumerian as Anu-, and in Akkadian cuneiform, the DINGIR character may refer either to Anum or to the Akkadian word for god, ilu-, and consequently had two phonetic values an and il. Hittite cuneiform as adapted from the Old Assyrian kept the an value but abandoned il.

When Enlil rose to equal or surpass An in authority, the functions of the two deities came to some extent to overlap. An was also sometimes equated with Amurru and Martu, names given in Akkadian and Sumerian texts to the god of the Amorite/Amurru people, often forming part of personal names, and, in Seleucid Uruk, with Enmešara and Dumuzi.

Enmesarra, or Enmešarra, in Sumerian and Akkadian mythology is an underworld god of the law. Described as a Sun god, protector of flocks and vegetation, and therefore he has been equated with Nergal. On the other hand, he has been described as an ancestor of Enlil, and it has been claimed that Enlil slew him.

Nergal is a son of Enlil and Ninlil, along with Nanna and Ninurta. Over time Nergal developed from a war god to a god of the underworld. In the mythology, this occurred when Enlil and Ninlil gave him the underworld.

Nergal seems to be in part a solar deity, sometimes identified with Shamash, but only representative of a certain phase of the sun. Portrayed in hymns and myths as a god of war and pestilence, Nergal seems to represent the sun of noontime and of the summer solstice that brings destruction, high summer being the dead season in the Mesopotamian annual cycle. He has also been called “the king of sunset”.

In the late Babylonian astral-theological system Nergal is related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars)—hence the current name of the planet.

Amongst the Hurrians and later Hittites Nergal was known as Aplu, a name derived from the Akkadian Apal Enlil, (Apal being the construct state of Aplu) meaning “the son of Enlil”. Aplu may be related with Apaliunas who is considered to be the Hittite reflex of *Apeljōn, an early form of the name Apollo.

Tammuz (Sumerian: Dumuzid (DUMU.ZI(D), “faithful or true son”) was the name of a Sumerian god of food and vegetation, also worshiped in the later Mesopotamian states of Akkad, Assyria and Babylonia.

In Babylonia, the month Tammuz was established in honor of the eponymous god Tammuz, who originated as a Sumerian shepherd-god, Dumuzid or Dumuzi, the consort of Inanna and, in his Akkadian form, the parallel consort of Ishtar.

The Levantine (“lord”) Adonis, who was drawn into the Greek pantheon, was considered by Joseph Campbell among others to be another counterpart of Tammuz, son and consort.

Beginning with the summer solstice came a time of mourning in the Ancient Near East, as in the Aegean: the Babylonians marked the decline in daylight hours and the onset of killing summer heat and drought with a six-day “funeral” for the god.

Recent discoveries reconfirm him as an annual life-death-rebirth deity: tablets discovered in 1963 show that Dumuzi was in fact consigned to the Underworld himself, in order to secure Inanna’s release, though the recovered final line reveals that he is to revive for six months of each year.

The Amorites (Sumerian MAR.TU; Akkadian Tidnum or Amurrūm; Egyptian Amar; Hebrew Ĕmōrī) were an ancient Semitic-speaking people from Syria who also occupied large parts of southern Mesopotamia from the 21st century BC to the end of the 17th century BC, where they established several prominent city states in existing locations, notably Babylon which was raised from a small administrative town to an independent state and major city.

In the earliest Sumerian sources concerning the Amorites, beginning about 2400 BC, the land of the Amorites (“the Mar.tu land”) is associated not with Mesopotamia but with the lands to the west of the Euphrates, including Canaan and what was to become Syria by the 3rd century BC, then known as The land of the Amurru, and later as Aram and Eber-Nari.

The term Amurru in Akkadian and Sumerian texts refers to them, as well as to their principal deity. Amurru, sometimes called Ilu Amurru (DMAR.TU), was the patron god of the Mesopotamian city of Ninab, whose exact location is unknown. He is sometimes described as a ‘shepherd’ or as a storm god, and as a son of the sky-god Anu.

He is sometimes called bêlu šadī or bêl šadê, ‘lord of the mountain’; dúr-hur-sag-gá sikil-a-ke, ‘He who dwells on the pure mountain’; and kur-za-gan ti-[la], ‘who inhabits the shining mountain’. In Cappadocian Zinčirli inscriptions he is called ì-li a-bi-a, ‘the god of my father’.

Accordingly, it has been suggested by L. R. Bailey (1968) and Jean Ouelette (1969), that this Bêl Šadê might be the same as the Biblical ’Ēl Šaddāi who is the God of Abraham, Isaac, and Jacob in the “Priestly source” of narrative, according to the documentary hypothesis.

Bêl Šadê could have been the fertility-god ‘Ba’al’, possibly adopted by the Canaanites, a rival and enemy of the Hebrew God YHWH, and famously combatted by the Hebrew prophet Elijah.

Amurru also has storm-god features. Like Adad, Amurru bears the epithet ramān ‘thunderer’, and he is even called bāriqu ‘hurler of the thunderbolt’ and Adad ša a-bu-be ‘Adad of the deluge’. Yet his iconography is distinct from that of Adad, and he sometimes appears alongside Adad with a baton of power or throwstick, while Adad bears a conventional thunderbolt.

Amurru’s wife is usually the goddess Ašratum (see Asherah) who in northwest Semitic tradition and Hittite tradition appears as wife of the god Ēl which suggests that Amurru may indeed have been a variation of that god. If Amurru was identical with Ēl, it would explain why so few Amorite names are compounded with the name Amurru, but so many are compounded with Il; that is, with Ēl.

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