Egyptian main gods / godesses
Posted by Fredsvenn on June 16, 2016
Ra / Horus and Hathor / Isis
Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a major god in ancient Egyptian religion, identified primarily with the noon sun.
In later Egyptian dynastic times, Ra was merged with the god Horus, as Ra-Horakhty (“Ra, who is Horus of the Two Horizons”). He was believed to rule in all parts of the created world: the sky, the earth, and the underworld. He was associated with the falcon or hawk.
When in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another solar deity, the Aten, the deified solar disc, but after the death of Akhenaten the cult of Ra was restored.
The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis and there was a formal burial ground for the sacrificed bulls north of the city. All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ra’s tears and sweat, hence the Egyptians call themselves the “Cattle of Ra.”
In the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye.
Hathor (Egyptian: ḥwt-ḥr, meaning “mansion of Horus”) is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular deities throughout the history of Ancient Egypt. The Ancient Greeks sometimes identified Hathor with the goddess Aphrodite, while in Roman mythology she corresponds to Venus.
Hathor was worshiped by royalty and common people alike in whose tombs she is depicted as “Mistress of the West” welcoming the dead into the next life. In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth, as well as the patron goddess of miners.
The cult of Hathor predates the historic period, and the roots of devotion to her are therefore difficult to trace, though it may be a development of predynastic cults which venerated fertility, and nature in general, represented by cows.
Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus. Twin feathers are also sometimes shown in later periods as well as a menat necklace. Hathor may be the cow goddess who is depicted from an early date on the Narmer Palette and on a stone urn dating from the 1st dynasty that suggests a role as sky-goddess and a relationship to Horus who, as a sun god, is “housed” in her.
The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, and associated with Bast.
The first secure references to Isis date back to the 5th dynasty, when her name appears in the sun temple of king Niuserre and on the statue of a priest named Pepi-Ankh, who worshipped at the very beginning of 6th dynasty and bore the title “high priest of Isis and Hathor”.
The cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor and men with Osiris.
The planet was known by the ancient Egyptians as “Horus of the Horizon”, then later Her Deshur (“Ḥr Dšr”), or “Horus the Red”. The Hebrews named it Ma’adim – “the one who blushes”; this is where one of the largest canyons on Mars, the Ma’adim Vallis, gets its name.
In Babylonian astronomy, the planet was named after Nergal, their deity of fire, war, and destruction, most likely due to the planet’s reddish appearance. Nergal seems to be in part a solar deity, sometimes identified with Shamash, but only representative of a certain phase of the sun.
Portrayed in hymns and myths as a god of war and pestilence, Nergal seems to represent the sun of noontime and of the summer solstice that brings destruction, high summer being the dead season in the Mesopotamian annual cycle. He has also been called “the king of sunset”.
Whether the Greeks equated Nergal with their god of war, Ares, or whether both drew from a more ancient association is unclear. In the age of Plato, the Greeks called the planet Areos aster, or “star of Ares”. Following the identification of Ares and Mars, it was translated into Latin as stella Martis, or “star of Mars”, or simply Mars. The Hellenistic Greeks also called the planet Pyroeis, meaning “fiery”.
Ptah and Sekhmet
In Egyptian mythology, Ptah (Egyptian: ptḥ, probably vocalized as Pitaḥ in ancient Egyptian) is the demiurge of Memphis, god of craftsmen and architects. In the triad of Memphis, he is the spouse of Sekhmet, a warrior goddess as well as goddess of healing, the father of Nefertum, and also regarded as the father of the sage Imhotep.
Religion, the royal lineage, and the authority to govern were intrinsically interwoven in Ancient Egypt during its approximately three millennia of existence. Sekhmet is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath formed the desert. She was seen as the protector of the pharaohs and led them in warfare.
Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and Bast. She bears the Solar disk and the uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being a divine arbiter of the goddess Ma’at (Justice, or Order) in the Judgment Hall of Osiris, associating her with the Wadjet (later the Eye of Ra), and connecting her with Tefnut as well.
Enki (Sumerian: EN.KI(G)) is a god in Sumerian mythology, later known as Ea in Akkadian and Babylonian mythology. He was originally patron god of the city of Eridu (Cuneiform: NUN.KI), but later the influence of his cult spread throughout Mesopotamia and to the Canaanites, Hittites and Hurrians.
He was the deity of crafts (gašam); mischief; water, seawater, lakewater (a, aba, ab), intelligence (gestú, literally “ear”) and creation (Nudimmud: nu, likeness, dim mud, make beer). Considered the master shaper of the world, god of wisdom and of all magic, Enki was characterized as the lord of the Abzu (Apsu in Akkadian), the freshwater sea or groundwater located within the earth.
Thoth and Maat
Thoth (from Egyptian ḏḥwty) was one of the deities of the Egyptian pantheon. In art, he was often depicted as a man with the head of an ibis or a baboon, animals sacred to him. His feminine counterpart was Seshat, and his wife was Ma’at.
Thoth’s chief temple was located in the city of Khmun, later called Hermopolis Magna during the Greco-Roman era (in reference to him through the Greeks’ interpretation that he was the same as their god Hermes) andShmounein in the Coptic rendering, and was partially destroyed in 1826.
In that city, he led the Ogdoad pantheon of eight principal deities. He also had numerous shrines within the cities of Abydos, Hesert, Urit, Per-Ab, Rekhui, Ta-ur, Sep, Hat, Pselket, Talmsis, Antcha-Mutet, Bah, Amen-heri-ab, and Ta-kens.
Thoth played many vital and prominent roles in Egyptian mythology, such as maintaining the universe, and being one of the two deities (the other being Ma’at) who stood on either side of Ra’s boat. In the later history of ancient Egypt, Thoth became heavily associated with the arbitration of godly disputes, the arts of magic, the system of writing, the development of science, and the judgment of the dead.
Maat or Ma’at was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her ideological counterpart was Isfet.
The earliest surviving records indicating that Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. 2375 BCE and 2345 BCE).
Later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure, who is a lesser known deity.
After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls (also called the weighing of the heart) that took place in the underworld, Duat.
Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator.