Cradle of Civilization

A Blog about the Birth of Our Civilisation and Development

Quetzalcoatl and the kursa (purse/curse) bag

Posted by Fredsvenn on May 14, 2016

Annunaki. All have wings. All are wearing bracelets with a disc. All are carrying a pouch with handle in one hand, and thrusting a pine cone forward with the other. Note the mechanical looking musculature, the tassels, the fringed robes, the cigar shaped implements tucked into their sashes. Note the squared beards on some, the finned heads of the others. Can anyone explain these?:

Kursa bag

Sumer, where the annunaki god (meaning “princely offspring” or “offspring of Anu”, they take their name from the old sky god An/Anu) in one hand carries a purse-size bucket or “hunting bags” of holy water, also known as Kursa, and in the other dabs the air with a fruit that looks like a pine cone (representation of the pineal gland, the spiritual gateway of the human body).

The word structure of Sumerian is more complete than the word structure of the language of pre-Sumerian Ubaid writing (kush, kus ‘skin, leather’ : Hittite kursa-; guza, Old Sumerian *kusa: Semitic *kursiy). All the Anunaki have wings. All are wearing bracelets with a disc. All are carrying a pouch with handle in one hand, and thrusting a pine cone forward with the other.

The third picture is from Dagon or Dagan (Ugaritic: Dgn, Dagnu, or Daganu; Akkadian: Dagana), who was originally an East Semitic Mesopotamian (Akkadian, Assyrian, Babylonian) fertility god who evolved into a major Northwest Semitic god, reportedly of grain (as symbol of fertility) and fish and/or fishing (as symbol of multiplying).

The Kursa and the Golden Fleece


One of the earliest depictions of Quetzalcoatl, as “The Feathered Serpent,” from the ancient Olmec site of La Venta. The deity as a full fledged concept is plainly pronounced with the depiction of a crest of feathers atop the serpents head, which itself has been endorsed with the beak of a bird to indicate the transformed status of the zoological phenomenon that bridges the opposites of the higher, and the lower worlds as a indication of the precipitation and floral bounty found throughout the rainforests.

The human being at the center of the stela does not necessarily itself have to represent Quetzalcoatl as the human archetype found in later representations throughout ancient  Mesoamerica, however it could very well be just that, implying that the figure is beginning a trip into the underworld via the path of the Feathered Dragon.

Ancient Mesoamericans and Egyptians who had never met and lived centuries and thousands of miles apart both worshiped feathered-serpent deities. Wadjet, the winged serpent of Egypt, protected the Pharoahs and controlled the waters of the nile. Like the Mexican version, the Egyptian Feathered Serpent was sometimes depicted with red body, blue head, and green feathers.

The mythological figure of the feathered or plumed serpent is depicted throughout North, Middle, and South America as early as Olmec times (1400 B.C.) The Maya knew him as Kukulkán; the Quiché as Gucumatz; the Inca as Urcaguey. In the Popol Vuh of the Quiché Maya, Gucumatz is “the Creator, the Maker”. The Toltecs portrayed the plumed serpent as Quetzalcóatl, the rival of Tezcatlipoca, both at Tulá (north of Teotihuacán) and at Chichén Itzá, in northern Yucatán—the Aztecs later at Tenochtitlán and other places in the Aztec Empire.

Quetzalcoatl: Manifestations of the Feathered Serpent

The Feathered Serpent

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