The comming of the new golden age
Posted by Fredsvenn on January 7, 2016
The war between the good and bad forces, the free and the one fighting as soldiers for the oligarcs – the killing machines of the military industrial complex. The goddess of dawn has been released from the cave – the gospel of love has been revelated – the horn has called us – this is the battle for the world of men and we will win – the new golden age, a period of primordial peace, harmony, stability, and prosperity, is soon at hand 🙂
The Spring Triangle is an astronomical asterism involving an imaginary triangle drawn upon the celestial sphere, with its defining vertices at Arcturus, Spica, and Regulus. This triangle connects the constellations of Boötes, Virgo, and Leo. It is visible rising in the south eastern sky of the northern hemisphere between March and May.
In classical Greek mythology the Golden Age was presided over by the leading Titan Cronus. In some version of the myth Astraea also ruled. She lived with men until the end of the Silver Age, but in the Bronze Age, when men became violent and greedy, fled to the stars, where she appears as the constellation Virgo, holding the scales of Justice, or Libra. Virgo was sometimes associated with the Blessed Virgin Mary.
Astraea or Astrea (“star-maiden”), in ancient Greek religion, was a daughter of Astraeus, the Titan-god of the dusk, and Eos, a Titaness and the goddess of the dawn, who rose each morning from her home at the edge of the Oceanus. She was the virgin goddess of Innocence and purity and is always associated with the Greek goddess of justice, Dike (daughter of Zeus and Themis and the personification of just judgement).
Astraea, the celestial virgin, was the last of the immortals to live with humans during the Golden Age, one of the old Greek religion’s five deteriorating Ages of Man. According to Ovid, Astraea abandoned the earth during the Iron Age.
Fleeing from the new wickedness of humanity, she ascended to heaven to become the constellation Virgo. The nearby constellation Libra reflected her symbolic association with Dike, who in Latin culture as Justitia is said to preside over the constellation.
According to legend, Astraea will one day come back to Earth, bringing with her the return of the utopian Golden Age of which she was the ambassador.
Boötes is a constellation in the northern sky, located between 0° and +60° declination, and 13 and 16 hours of right ascension on the celestial sphere. The name comes from the Greek Boōtēs, meaning herdsman or plowman (literally, ox-driver; from bous “cow”).
In ancient Babylon the stars of Boötes were known as SHU.PA. They were apparently depicted as the god Enlil (EN = Lord + LÍL = Wind, “Lord (of the) Storm”), the god of breath, wind, loft and breadth (height and distance), who was the leader of the Babylonian pantheon and special patron of farmers. Enlil was known as the inventor of the mattock (a key agricultural pick, hoe, ax or digging tool of the Sumerians) and helped plants to grow.
The name Boötes was first used by Homer in his Odyssey as a celestial reference point for navigation, described as “late-setting” or “slow to set”, translated as the “Plowman”.
Exactly whom Boötes is supposed to represent in Greek mythology is not clear. According to one version, he was a son of Demeter, Philomenus, twin brother of Plutus, a ploughman who drove the oxen in the constellation Ursa Major. This is corroborated by the constellation’s name, which itself means “ox-driver” or “herdsman.”
The ancient Greeks saw the asterism now called the “Big Dipper” or “Plough” as a cart with oxen. This influenced the name’s etymology, derived from the Greek for “noisy” or “ox-driver”. Another myth associated with Boötes tells that he invented the plow and was memorialized for his ingenuity as a constellation.
Leo is one of the constellations of the zodiac, lying between Cancer to the west and Virgo to the east. The lion’s mane and shoulders also form an asterism known as “the Sickle,” which to modern observers may resemble a backwards “question mark.” The Sickle is an asterism — a noteworthy or striking pattern of stars within a larger constellation. Aside from the Big Dipper, no springtime asterism is as recognizable as the Sickle of Leo.
Spring officially arrived in the Northern Hemisphere on March 20. And this week, about halfway up in the east-southeast sky as darkness falls, the most famous star pattern of the spring season will be found. The six stars that form a backward question mark are more popularly known as the “Sickle” in the constellation of Leo, the Lion.
In the handle of the Sickle – or the heart of the lion – shines the blue-white star, Regulus. According to Richard Hinckley Allen (1838-1908), who was an expert in stellar nomenclature, this star was known in Arabia as Malikiyy, “the kingly one.” Regulus was seemingly often associated in ancient cultures with royalty and kingly power.
Cronus was usually depicted with a harpe, scythe or a sickle, which was the instrument he used to castrate and depose Uranus, his father. In Athens, on the twelfth day of the Attic month of Hekatombaion, a festival called Kronia was held in honour of Cronus to celebrate the harvest, suggesting that, as a result of his association with the virtuous Golden Age, Cronus continued to preside as a patron of harvest. Cronus was also identified in classical antiquity with the Roman deity Saturn.
In Old Icelandic translations of Classical mythology the Roman god Saturn’s name is glossed as “Njörðr.” In Norse mythology, Njörðr is a god among the Vanir. Njörðr, father of the deities Freyr and Freyja by his unnamed Vanir sister, was in an ill-fated marriage with the goddess Skaði, lives in Nóatún and is associated with sea, seafaring, wind, fishing, wealth, and crop fertility. Nóatún (Old Norse “ship-enclosure”) is the abode of the god Njörðr, described in the Prose Edda book Gylfaginning as located “in heaven”.
Freyr or Frey is one of the most important gods of Norse religion. The name is conjectured to derive from the Proto-Norse *frawjaz, “lord”. Freyr was associated with sacral kingship, virility and prosperity, with sunshine and fair weather, as well as was pictured as a phallic fertility god, Freyr “bestows peace and pleasure on mortals”. Freyr, sometimes referred to as Yngvi-Freyr, was especially associated with Sweden and seen as an ancestor of the Swedish royal house.
The gods gave him Álfheimr, the realm of the Elves, as a teething present. He rides the shining dwarf-made boar Gullinbursti and possesses the ship Skíðblaðnir which always has a favorable breeze and can be folded together and carried in a pouch when it is not being used.
In Norse mythology, Freyja (Old Norse for “(the) Lady”) is a goddess associated with love, sexuality, beauty, fertility, gold, seiðr, war, and death. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, keeps the boar Hildisvíni by her side, possesses a cloak of falcon feathers, and, by her husband Óðr, is the mother of two daughters, Hnoss and Gersemi.
Scholars have theorized about whether Freyja and the goddess Frigg ultimately stem from a single goddess common among the Germanic peoples; about her connection to the valkyries, female battlefield choosers of the slain; and her relation to other goddesses and figures in Germanic mythology, including the thrice-burnt and thrice-reborn Gullveig/Heiðr, the goddesses Gefjon, Skaði, Þorgerðr Hölgabrúðr and Irpa, Menglöð, and the 1st century CE “Isis” of the Suebi.
Several plants were named after Freyja, such as Freyja’s tears and Freyja’s hair (Polygala vulgaris), but during the process of Christianization, the name of the goddess was replaced with that of the Virgin Mary.
Numerous theories have been proposed for the etymology of Vanir. Scholar R. I. Page says that, while there are no shortages of etymologies for the word, it is tempting to link the word with “Old Norse vinr, ‘friend’, and Latin Venus, ‘goddess of physical love.'”
In the interpretatio romana of the Germanic pantheon during the early centuries AD, Venus became identified with the Germanic goddess Frijjo, giving rise to the loan translation “Friday” for dies Veneris. The historical cognate of the dawn goddess in Germanic tradition, however, would be Ostara.
Ēostre or Ostara (Old English: Ēastre, Northumbrian dialect Ēostre; Old High German: *Ôstara (reconstructed form)) is a Germanic divinity who, by way of the Germanic month bearing her name (Northumbrian: Ēosturmōnaþ; West Saxon: Ēastermōnaþ; Old High German: Ôstarmânoth), is the namesake of the festival of Easter.
Ēostre is attested solely by Bede in his 8th-century work The Reckoning of Time, where Bede states that during Ēosturmōnaþ (the equivalent of April), pagan Anglo-Saxons had held feasts in Eostre’s honor, but that this tradition had died out by his time, replaced by the Christian Paschal month, a celebration of the resurrection of Jesus.
By way of linguistic reconstruction, the matter of a goddess called *Austrō in the Proto-Germanic language has been examined in detail since the foundation of Germanic philology in the 19th century by scholar Jacob Grimm and others.
As the Germanic languages descend from Proto-Indo-European (PIE), historical linguists have traced the name to a Proto-Indo-European goddess of the dawn *H₂ewsṓs (→ *Ausṓs), from which descends the Common Germanic divinity from whom Ēostre and Ostara are held to descend.
Theories connecting Ēostre with records of Germanic Easter customs, including hares and eggs, have been proposed. Particularly prior to the discovery of the matronae Austriahenea and further developments in Indo-European studies, debate has occurred among some scholars about whether or not the goddess was an invention of Bede. Ēostre and Ostara are sometimes referenced in modern popular culture and are venerated in some forms of Germanic neopaganism.
Ishtar is the East Semitic Akkadian, Assyrian and Babylonian goddess of fertility, love, war, and sex. She is the counterpart to the Sumerian Inanna, and the cognate for the Northwest Semitic Aramean goddess Astarte.